{"title":"《转弯:近代早期阿姆斯特丹迷宫中的运动与情感》","authors":"A. Vanhaelen","doi":"10.3366/edinburgh/9781474482721.003.0003","DOIUrl":null,"url":null,"abstract":"Amsterdam’s Doolhoven, or labyrinths, constituted recreational spaces that also forged a strong connection between theatricality and a secular conversional experience by drawing on the idea of the labyrinth as an allegory for progression toward spiritual transformation. The chapter explores both the performative and philosophical components of these early modern labyrinths and the deeper meaning of their many ludic tricks.","PeriodicalId":367257,"journal":{"name":"Performing Conversion","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Turnings: Motion and Emotion in the Labyrinths of Early Modern Amsterdam\",\"authors\":\"A. Vanhaelen\",\"doi\":\"10.3366/edinburgh/9781474482721.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Amsterdam’s Doolhoven, or labyrinths, constituted recreational spaces that also forged a strong connection between theatricality and a secular conversional experience by drawing on the idea of the labyrinth as an allegory for progression toward spiritual transformation. The chapter explores both the performative and philosophical components of these early modern labyrinths and the deeper meaning of their many ludic tricks.\",\"PeriodicalId\":367257,\"journal\":{\"name\":\"Performing Conversion\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Performing Conversion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474482721.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Performing Conversion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474482721.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Turnings: Motion and Emotion in the Labyrinths of Early Modern Amsterdam
Amsterdam’s Doolhoven, or labyrinths, constituted recreational spaces that also forged a strong connection between theatricality and a secular conversional experience by drawing on the idea of the labyrinth as an allegory for progression toward spiritual transformation. The chapter explores both the performative and philosophical components of these early modern labyrinths and the deeper meaning of their many ludic tricks.
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