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Performing Conversion最新文献

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Venice: The Converted City 威尼斯:被改造的城市
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0002
I. Fenlon
By focusing on the Piazza San Marco, the chapter draws attention to the transformation of civic and religious spaces that took place in Venice between the late sixteenth and early seventeenth centuries. It argues that the rise of urban culture and the reconfiguration of urban space sought not only to accommodate a growing population, but also to facilitate the emerging conversional theatrics of Church and State, which made use of urban spaces for the purpose of political and religious indoctrination.
通过对圣马可广场的关注,本章将人们的注意力引向了16世纪末至17世纪初威尼斯城市和宗教空间的转变。它认为,城市文化的兴起和城市空间的重新配置不仅是为了容纳不断增长的人口,而且也是为了促进正在出现的教会和国家的转换戏剧,它们利用城市空间进行政治和宗教灌输。
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引用次数: 0
Theatre and Conversion in Early Modern Zürich, Berne and Lucerne 现代早期的戏剧与转变z<e:1>里奇,伯尔尼和卢塞恩
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0007
Elke Huwiler
The limits of theatre as a medium for religious indoctrination became an object of exploration, debate, and censorship in the Swiss cities of Zürich, Berne and Lucerne. This chapter addresses how the civil and religious authorities of these cities struggled to control not just the content, but the audience’s interpretations of religious plays in the context of the Reformation.
戏剧作为宗教灌输媒介的局限性成为瑞士城市z里奇、伯尔尼和卢塞恩探索、辩论和审查的对象。这一章讨论了这些城市的民政和宗教当局如何在宗教改革的背景下努力控制不仅是内容,而且是观众对宗教戏剧的解释。
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引用次数: 0
Turnings: Motion and Emotion in the Labyrinths of Early Modern Amsterdam 《转弯:近代早期阿姆斯特丹迷宫中的运动与情感》
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0003
A. Vanhaelen
Amsterdam’s Doolhoven, or labyrinths, constituted recreational spaces that also forged a strong connection between theatricality and a secular conversional experience by drawing on the idea of the labyrinth as an allegory for progression toward spiritual transformation. The chapter explores both the performative and philosophical components of these early modern labyrinths and the deeper meaning of their many ludic tricks.
阿姆斯特丹的Doolhoven,或迷宫,构成了娱乐空间,也通过将迷宫的概念作为精神转变的寓言,在戏剧性和世俗转换体验之间建立了强烈的联系。本章探讨了这些早期现代迷宫的表演和哲学成分,以及它们许多滑稽把戏的更深层次含义。
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引用次数: 0
Introduction: Conversion, Cities and Theatre in the Early Modern World 引言:近代早期世界的转换、城市与戏剧
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0001
José R. Jouve Martín, Stephen Wittek
On the morning of 3 February 1631, the people of Lima awoke to discover that their main square had been transformed overnight into an elaborate allegory of the city of Troy. In addition to offering an unprecedented dramatic spectacle, this remarkable feat of civic theatricality provided a fitting metaphor for the multiple transformations experienced by the city in the century that followed its founding by Francisco Pizarro in 1535....
1631年2月3日早晨,利马的人们醒来后发现,他们的主广场一夜之间变成了特洛伊城的一个精心设计的寓言。除了提供一个前所未有的戏剧性的场面,这个非凡的公民戏剧壮举提供了一个恰当的隐喻,这个城市在1535年由弗朗西斯科·皮萨罗(Francisco Pizarro)创建后的一个世纪里经历了多次转变....
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引用次数: 0
Francisco Cervantes de Salazar’s Mexico City in 1554: A Dramaturgy of Conversion 弗朗西斯科·塞万提斯·德·萨拉查的《1554年的墨西哥城:皈依的戏剧》
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0004
J. López-Portillo
The interplay between cities, theatricality and conversion becomes manifest in exclusive or semi-private spaces, such as classrooms and private studies. As this chapter illustrates, the rhetorical textbooks of Fernández Salazar sought to train students in the art of Rhetoric by performing didactic dialogues that took place against the background of colonial Mexico. In so doing, the textbooks linked Renaissance humanism to the transformation of urban, social, and religious spaces that followed the Spanish conquest of the Aztec empire.
城市、戏剧性和转换之间的相互作用在排他性或半私人空间中表现出来,例如教室和私人书房。如本章所述,Fernández萨拉查的修辞学教科书试图通过在墨西哥殖民地背景下进行教学对话来训练学生的修辞学艺术。在这样做的过程中,教科书将文艺复兴时期的人文主义与西班牙征服阿兹特克帝国后城市、社会和宗教空间的转变联系起来。
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引用次数: 0
Conversional Thinking and the London Stage 转换思维与伦敦舞台
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0005
Stephen Wittek
This chapter begins to build a framework for understanding the relation between conversion and a key structure of early modern thought: theatrical performance. Taking early modern London as a specific focus, the analysis considers the embeddedness of conversional thinking within the city’s concentration of media resources, placing particular emphasis on the ability of theatrical affordances to facilitate creative experimentation and critical examination around received categories of identity. The central text under consideration is Dekker and Middleton’s The Honest Whore, but the analysis is also generally applicable to the theatrical culture and broader media environment of early modern London.
本章开始构建一个框架来理解转换与早期现代思想的一个关键结构——戏剧表演之间的关系。以早期现代伦敦为具体焦点,分析考虑了转换思维在城市媒体资源集中中的嵌入性,特别强调戏剧支持的能力,以促进创造性实验和围绕已接受的身份类别的批判性检查。本文研究的中心文本是德克尔和米德尔顿的《诚实的妓女》,但分析也普遍适用于近代早期伦敦的戏剧文化和更广泛的媒介环境。
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引用次数: 0
Coda: Performing Conversion in an Early Modern Future 结尾:在早期现代未来表演转换
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0009
Stephen Wittek
This chapter considers similarities between early modernity and the present era in terms of theatricality and practices of conversion. Examples of conversional practices from the past hundred years include the forced conversion of Aboriginal children in Canadian residential schools, the so-called ‘conversion therapies’ purporting to ‘cure’ LGBTQ people, and the conversions imposed on Jews by entrenched structures of anti-Semitism. In readings of three 21st Century plays that explore these issues, the author emphasizes the unique ability of drama to bring critical analysis and insight to the performative nature of conversional social practices. His study asserts the centrality of dramatic and social performance to the ongoing evolution of conversional phenomena, drawing lines of connection between the theatrical representations explored in the preceding chapters and similar offerings in our own age.
本章探讨了早期现代性与当代在戏剧性和转换实践方面的相似之处。在过去的一百年里,改变信仰的例子包括强迫加拿大寄宿学校的土著儿童改变信仰,所谓的旨在“治愈”LGBTQ人群的“改变信仰疗法”,以及根深蒂固的反犹太主义结构强加给犹太人的改变信仰。在阅读三部探讨这些问题的21世纪戏剧时,作者强调了戏剧的独特能力,即对转变的社会实践的表演本质进行批判性分析和洞察。他的研究主张戏剧和社会表演在不断演变的转换现象中处于中心地位,并在前面章节中探讨的戏剧表现与我们这个时代的类似作品之间建立了联系。
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引用次数: 0
Conversional Economies: Thomas Middleton’s Chaste Maid in Cheapside 转换经济:托马斯·米德尔顿在齐普赛德的贞女
Pub Date : 2021-03-16 DOI: 10.3366/edinburgh/9781474482721.003.0008
Paul Yachnin
In an analysis of Thomas Middleton’s A Chaste Maid in Cheapside, this chapter argues that theatre made it possible for people to see that conversion was as much a process of introspection and self-discovery as a series of material transactions that allowed—or forced—human beings into different social, economic, and spiritual states. These transactions were not simply the result of a cynical attempt to turn the tide in pursuit of an unscrupulous benefit (be it social or economic). They were also a way to navigate the processes of conversion itself—the many passageways and alleys that linked the City of God and the Earthly City.
在对托马斯·米德尔顿的《齐普赛德的贞女》的分析中,本章认为,戏剧使人们有可能看到,皈依既是一个内省和自我发现的过程,也是一系列物质交易的过程,这些交易允许——或强迫——人类进入不同的社会、经济和精神状态。这些交易不仅仅是为了追求不择手段的利益(无论是社会利益还是经济利益)而试图扭转局势的愤世嫉俗的结果。它们也是一种引导皈依过程的方式——许多连接上帝之城和尘世之城的通道和小巷。
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引用次数: 0
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Performing Conversion
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