{"title":"霍基古典吉他作曲《潘库拉·恩德姆》的结构与技法分析","authors":"Juanita Theresia Adimurti, Fery Virgiawan Tampatonda","doi":"10.15294/jsm.v12i1.66289","DOIUrl":null,"url":null,"abstract":"This study aims to describe the structure and techniques of playing Pancula Ndeme by Justinus Hokey on classical guitar composition. This study uses a qualitative approach. The data analyzed is the sheet music of Pancula Ndeme. The results of this study indicate that the structure of this composition consists of several parts, namely Introduction – A – B – C – A – B – Coda. There are four motifs in section A (m1, m2, m3, m4), two sentences (sentences a and a'), and two themes in each sentence. Section B consists of three motifs (n1, n2, n3), two phrases (phrase b and b'), and two themes in each sentence. Section C consists of 2 motifs (o1 and o2). The guitar playing techniques contained in this composition are the right-hand technique and the left-hand technique. The right-hand techniques found in this composition include; apoyando, tirando, and strumming techniques. The left-hand techniques contained in this composition include; slur, barre, and harmonic.","PeriodicalId":142606,"journal":{"name":"Jurnal Seni Musik","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Analysis of Structure and Techniques of Pancula Ndeme By Justinus Hokey on Classic Guitar Composition\",\"authors\":\"Juanita Theresia Adimurti, Fery Virgiawan Tampatonda\",\"doi\":\"10.15294/jsm.v12i1.66289\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study aims to describe the structure and techniques of playing Pancula Ndeme by Justinus Hokey on classical guitar composition. This study uses a qualitative approach. The data analyzed is the sheet music of Pancula Ndeme. The results of this study indicate that the structure of this composition consists of several parts, namely Introduction – A – B – C – A – B – Coda. There are four motifs in section A (m1, m2, m3, m4), two sentences (sentences a and a'), and two themes in each sentence. Section B consists of three motifs (n1, n2, n3), two phrases (phrase b and b'), and two themes in each sentence. Section C consists of 2 motifs (o1 and o2). The guitar playing techniques contained in this composition are the right-hand technique and the left-hand technique. The right-hand techniques found in this composition include; apoyando, tirando, and strumming techniques. The left-hand techniques contained in this composition include; slur, barre, and harmonic.\",\"PeriodicalId\":142606,\"journal\":{\"name\":\"Jurnal Seni Musik\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jurnal Seni Musik\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15294/jsm.v12i1.66289\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jurnal Seni Musik","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15294/jsm.v12i1.66289","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究旨在描述Justinus Hokey在古典吉他作曲上演奏Pancula Ndeme的结构与技巧。本研究采用定性方法。所分析的数据是Pancula Ndeme的乐谱。研究结果表明,这篇作文的结构由引言- A - B - C - A - B -尾段几个部分组成。A段有四个主题(m1, m2, m3, m4),两个句子(句子A和A’),每个句子有两个主题。Section B由三个母题(n1, n2, n3),两个短语(短语B和B’)和每个句子中的两个主题组成。Section C由2个基序(o1和o2)组成。这首曲子中包含的吉他演奏技巧是右手技巧和左手技巧。在这幅构图中发现的右手技巧包括;Apoyando, tirando,和弹奏技巧。这幅构图中包含的左手技法包括;污损,巴利,和声。
Analysis of Structure and Techniques of Pancula Ndeme By Justinus Hokey on Classic Guitar Composition
This study aims to describe the structure and techniques of playing Pancula Ndeme by Justinus Hokey on classical guitar composition. This study uses a qualitative approach. The data analyzed is the sheet music of Pancula Ndeme. The results of this study indicate that the structure of this composition consists of several parts, namely Introduction – A – B – C – A – B – Coda. There are four motifs in section A (m1, m2, m3, m4), two sentences (sentences a and a'), and two themes in each sentence. Section B consists of three motifs (n1, n2, n3), two phrases (phrase b and b'), and two themes in each sentence. Section C consists of 2 motifs (o1 and o2). The guitar playing techniques contained in this composition are the right-hand technique and the left-hand technique. The right-hand techniques found in this composition include; apoyando, tirando, and strumming techniques. The left-hand techniques contained in this composition include; slur, barre, and harmonic.