通过音乐唤醒活动记录学龄前儿童的表演和反应

Paraskevi Micha
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引用次数: 0

摘要

音乐教育,在此之前被称为学前儿童的“音乐觉醒”(“MA”),并不是为了培养音乐技能作为一种学术追求,而是希望促进个性的发展。目标是培养增强的表达、放松、沟通和社交能力。为了创建文学硕士的教学模式,设计了几个音乐活动。该研究的目的是量化和鉴定实验获得的数据,以便实施MA的教学方法。音乐天赋、心理因素、行为特征和反应被考虑和记录。样本量由8名儿童(产后和学龄前)组成,他们参加了5节课的9项教育活动。这里提供了一个有限的统计样本。我们的模型包括与4个标准相关的音乐活动的表现和反应:行为;表达能力;发声(参与歌唱);机动性(对打击乐器的反应)。最后,从获得的数据中得出结论,并将这些观察结果总结在这里,目的是创建一个对教师有用的教学模型。本研究引用了偶然和轶事观察,但简单地陈述以提供评论。本研究的目的是加强学前音乐教育工作者更好地了解学生并与他们互动的方式。
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The Recording Preschool Children's performances and reactions through Music Awakening Activities
Music Education, heretofore referred to as "Musical Awakening" ("MA") of pre-school aged children, isn’t intended to develop musical skills as an academic pursuit but rather hopes to facilitate the blossoming of individual personalities. The goal is to foster enhanced expression, relaxation, communication, and socialization. To create a pedagogical model of MA, several musical activities were designed.  The aim of the study is to quantify and qualify experimentally acquired data for the purpose of the implementing a pedagogical approach to MA.  Musical aptitude, psychological factors, behavioral characteristics, and reactions were considered and documented. The sample size consists of 8 children (postnatal and preschool aged) participating in a regimen of 9 educational activities distributed over 5 lessons. A limited statistical sample is presented here.  Our model includes the performance of, and the reaction to, musical activities relative to 4 criteria: Behavior; Expressiveness; Vocalization (participation in song); Mobility (response to percussion instruments). Ultimately, conclusions are drawn from the acquired data and these observations are summarized here for the purpose of creating a pedagogical model that is useful to teachers.  Casual and anecdotal observations are referenced within this study but are simply stated to provide commentary. This study is presented for the purpose of enhancing ways by which pre-school music educators can better understand and interact with their pupils.
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