基里科和形而上学艺术

Chi̇ri̇co VE Metafi̇zi̇k Resi̇m, Rasim Soylu, Giorgio de Chirico
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摘要

基里科的祖父是奥斯曼帝国宫殿的翻译,他的父亲是奥斯曼帝国铁路建设的工程师。Giorgio de Chirico在艺术史上被定义为神秘梦境世界和超自然空间的魔术师或女巫。他们的作品通常以“谜”开头,主题是模棱两可和谜。基里科自称是无神论者,但在他的画作中可以看到神秘主义倾向,与无神论有关的作品很少见到。精神现实和形而上学的发现是基里科最大的兴趣。他描绘了无法用语言表达的内心世界、探索和经历。他的哲学观点,在受到尼采和叔本华哲学的影响的同时,也对印度教和佛教信仰感兴趣。奇里科似乎严重影响了超现实主义者。这项工作的目的是研究基里科的思想和艺术结构,包括神秘和形而上学的概念,以及他在作品中揭示的形而上学艺术作品。作为一种方法,将扫描有关Chirico的思想和艺术概念的文献,并对其绘画中揭示的形而上学形式和符号进行研究。关键词:谜,神秘,神秘主义,形而上学
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CHIRICO AND METAPHISICAL ART
Chirico's grandfather was an interpreter in the Ottoman palace and his father worked as an engineer in the construction of the Ottoman railways. Giorgio de Chirico is defined as the magician or witch of the mysterious dream world and supernatural spaces in art history. Their works, which usually begin with "Enigma", are the subject of ambiguity and enigma. Chirico is claimed to be an atheist, but mystical tendencies are seen in his paintings, and the works that atheism is associated with are rarely seen. Spiritual reality and metaphysical discoveries are Chirico's greatest interests. He painted his inner world quests and experiences that could not be expressed in words. The philosophical point of view, while impressed by the philosophy of Nietche and Schopenhauer, was also interested in Hindu and Buddhist beliefs. Chirico appears to have seriously affected Surrealists. The purpose of this work is to examine the thought and artistic structure of Chirico, including the mystical and metaphysical concepts, and the metaphysical artwork that he reveals in his works. As a method, the literature on Chirico's concept of thought and art will be scanned and the metaphysical forms and symbols revealed in his paintings will be examined. Keywords: Enigma, Mystery, Mysticism, Metaphysics
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