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摘要

本文对现代布里亚特萨满自传进行语义、功能和结构分析,以确定其稳定的元素和功能,从而有助于确定萨满传统与创新之间的关系。本文基于作者于2021年8月在乌兰乌德当地萨满宗教组织“腾格里”中收集的实地资料。调查采用半结构化访谈法。实地调查数据与o.b. Khristoforova的文章中对恩加纳山萨满自传的分析结果进行了比较。在研究过程中,揭示了现代布里亚特萨满的叙述更像是对话者自发的论点(回应研究者的问题),而不是稳定的既定故事。然而,传统萨满民间传说的元素可以在现代萨满自传中找到:关于萨满疾病和选举的叙述。这两种动机作为一种属于传统的认同标记(证实萨满礼物真实性的功能),对现代萨满具有重要意义。然而,我们可以注意到,由于萨满在不同的社会文化背景下形成,“心理生理状态解释”的功能被削弱,萨满病期间的异象描述要么缺失,要么是禁忌。我们的受访者在自传中强调了新的动机:“寻求危机的解决方案”、“苏联时期的巫师”和“改变生活”。这些主题可以归因于补充和发展传统情节的创新元素。
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Shamanic Narrative in Modern Buryatia
The article provides a semantic, functional and structural analysis of the autobiographies of modern Buryat shamans in order to determine stable elements and functions, which can later help in determining the relationship between tradition and innovation in shamanism. The article is based on the author's field material collected in August 2021 in Ulan-Ude in the local religious organization of shamans “Tengeri”. A semi-structured interview method was used in the survey. The field research data are compared with the results of the analysis of the autobiographies of the Nganasan shamans, given in the article by O. B. Khristoforova. In the course of the study, it was revealed that the narratives of modern Buryat shamans are rather spontaneous arguments of interlocutors (in response to the researcher's questions), rather than stable established stories. Nevertheless, elements of traditional shamanic folklore can be found in the autobiographies of modern shamans: narratives about shamanic illness and election. These two motives act as some kind of identification marker of belonging to the tradition (the function of substantiating the truth of the shamanic gift), which is important for modern shamans. However, we can notice that the function of “interpretation of psychophysiological states” is weakened due to the formation of a shaman in a different socio-cultural context, and the description of visions during shamanic illness is either absent or taboo. New motives are highlighted in the autobiographies of our respondents: “the search for a solution to the crisis”, “shamans of the Soviet period” and “changing lives”. These motifs can be attributed to the elements of innovations that complement and develop traditional plots.
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