季文卡·玛蒂亚什的圣诞故事《口吃兄弟的圣诞节》的体裁特点

Viktoriia Dobrodii
{"title":"季文卡·玛蒂亚什的圣诞故事《口吃兄弟的圣诞节》的体裁特点","authors":"Viktoriia Dobrodii","doi":"10.28925/2311-259X.2019.1.6","DOIUrl":null,"url":null,"abstract":"The Subject of the Study  are the genre peculiarities of the Christmas story “Brother Stuttererʼs Christmas” from collection “13 Christmas stories”. It is stated that a huge amount of the works of this genre have been published, having children and adults as their target audience. Thus, it may be regarded as the resumption of a tradition of writing Christmas stories in Ukrainian literary process. But the problem is that studying those stories remains mainly unsustained — as a rule these works are analyzed in book and other kind of reviews close to Christmas and New Year holidays. The Aim of the Study is analysis of the Christmas story “Brother Stuttererʼs Christmas”, its stylistic peculiarities, specialty of genre transformation. Research methodology is presented by close reading as well as the philological method of studying of a work of fiction, so the author investigates the stylistic dominants and literary peculiarities of this Christmas novel, defining its specific characteristics as well as the symbolic figures. The Results and Originality of the Study are: the notion of «philosophic and existential Christmas story», its key features and constituent parts. These features provide for the composition based on the combination of the two different points of view. The same event is presented through perspectives of the two different characters, with their views being brought together by symbolic figures — both from outside (from the other person's perspective) and inside (in their own eyes). Every character as if repeats his own version of events, while symbolic figures, closely connected with Christmas theme, create a symbolic tunnel of notions and ideas, which unfold before the reader. Moreover, the author refines the genre specific nature of a Christmas story, the functioning of Christmas imagery in modern Ukrainian literature. The practical significance is connected with understanding the new stage of genre’s evolution and its publishing prospects.","PeriodicalId":127913,"journal":{"name":"Synopsis: Text, Context, Media","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Genre peculiarities of the Christmas story “Brother Stutterer’s Christmas” by Dzvinka Matiiash\",\"authors\":\"Viktoriia Dobrodii\",\"doi\":\"10.28925/2311-259X.2019.1.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Subject of the Study  are the genre peculiarities of the Christmas story “Brother Stuttererʼs Christmas” from collection “13 Christmas stories”. It is stated that a huge amount of the works of this genre have been published, having children and adults as their target audience. Thus, it may be regarded as the resumption of a tradition of writing Christmas stories in Ukrainian literary process. But the problem is that studying those stories remains mainly unsustained — as a rule these works are analyzed in book and other kind of reviews close to Christmas and New Year holidays. The Aim of the Study is analysis of the Christmas story “Brother Stuttererʼs Christmas”, its stylistic peculiarities, specialty of genre transformation. Research methodology is presented by close reading as well as the philological method of studying of a work of fiction, so the author investigates the stylistic dominants and literary peculiarities of this Christmas novel, defining its specific characteristics as well as the symbolic figures. The Results and Originality of the Study are: the notion of «philosophic and existential Christmas story», its key features and constituent parts. These features provide for the composition based on the combination of the two different points of view. The same event is presented through perspectives of the two different characters, with their views being brought together by symbolic figures — both from outside (from the other person's perspective) and inside (in their own eyes). Every character as if repeats his own version of events, while symbolic figures, closely connected with Christmas theme, create a symbolic tunnel of notions and ideas, which unfold before the reader. Moreover, the author refines the genre specific nature of a Christmas story, the functioning of Christmas imagery in modern Ukrainian literature. The practical significance is connected with understanding the new stage of genre’s evolution and its publishing prospects.\",\"PeriodicalId\":127913,\"journal\":{\"name\":\"Synopsis: Text, Context, Media\",\"volume\":\"2 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Synopsis: Text, Context, Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.28925/2311-259X.2019.1.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Synopsis: Text, Context, Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28925/2311-259X.2019.1.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文以《十三个圣诞故事集》中的圣诞故事《口吃兄弟的圣诞节》的体裁特点为研究对象。据说,这一类型的作品已经出版了大量,以儿童和成人为目标受众。因此,它可以被视为乌克兰文学进程中圣诞节故事传统的恢复。但问题是,对这些故事的研究基本上是不持续的——通常这些作品会在临近圣诞节和新年假期的书籍和其他类型的评论中进行分析。本文的研究目的是分析圣诞故事《口吃兄弟的圣诞节》的文体特点和体裁转换的特点。本文采用细读的研究方法和研究小说作品的语言学方法,研究了这部圣诞小说的文体优势和文学特点,界定了它的具体特征和象征人物。本研究的结果和独创性在于:“哲学和存在主义圣诞故事”的概念,其主要特征和组成部分。这些特性提供了基于两种不同视角组合的组合。同样的事件通过两个不同角色的视角呈现,他们的观点通过象征性的人物结合在一起——从外部(从别人的角度)和内部(从他们自己的角度)。每个人物似乎都在重复自己的故事,而象征性的人物则与圣诞主题紧密相连,创造了一个概念和思想的象征性隧道,在读者面前展开。此外,作者提炼了圣诞故事的体裁特殊性,圣诞意象在现代乌克兰文学中的作用。其现实意义在于认识体裁演变的新阶段及其出版前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Genre peculiarities of the Christmas story “Brother Stutterer’s Christmas” by Dzvinka Matiiash
The Subject of the Study  are the genre peculiarities of the Christmas story “Brother Stuttererʼs Christmas” from collection “13 Christmas stories”. It is stated that a huge amount of the works of this genre have been published, having children and adults as their target audience. Thus, it may be regarded as the resumption of a tradition of writing Christmas stories in Ukrainian literary process. But the problem is that studying those stories remains mainly unsustained — as a rule these works are analyzed in book and other kind of reviews close to Christmas and New Year holidays. The Aim of the Study is analysis of the Christmas story “Brother Stuttererʼs Christmas”, its stylistic peculiarities, specialty of genre transformation. Research methodology is presented by close reading as well as the philological method of studying of a work of fiction, so the author investigates the stylistic dominants and literary peculiarities of this Christmas novel, defining its specific characteristics as well as the symbolic figures. The Results and Originality of the Study are: the notion of «philosophic and existential Christmas story», its key features and constituent parts. These features provide for the composition based on the combination of the two different points of view. The same event is presented through perspectives of the two different characters, with their views being brought together by symbolic figures — both from outside (from the other person's perspective) and inside (in their own eyes). Every character as if repeats his own version of events, while symbolic figures, closely connected with Christmas theme, create a symbolic tunnel of notions and ideas, which unfold before the reader. Moreover, the author refines the genre specific nature of a Christmas story, the functioning of Christmas imagery in modern Ukrainian literature. The practical significance is connected with understanding the new stage of genre’s evolution and its publishing prospects.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
The nature culture of popular laughter and the phenomenon of low culture (the baroque period) in Ukraine Genre peculiarities of the Christmas story “Brother Stutterer’s Christmas” by Dzvinka Matiiash Thematic groups of the phraseologisms in the Borys Grinchenko's works What literature does to our emotions, and how do we know? Empirical studies will tell Artistic reception of the «city — steppe» dichotomy in the historical novels of P. Zahrebelnyi, R. Ivanchenko and P. Uhliarenko
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1