Queer Surrealism

The fantasy that close reading should be some purer, more total encounter with a text is usefully dispelled by readings that achieve their closeness precisely because they have a specific need for proximity with their particular text. As this chapter shows in developing a queer reading of The Waste Land, that ‘need’ might make a reading blind to things that do not suit its purposes, but this blindness must always be a factor even in the purest of close readings. A specific need that has been made explicit has the virtue of calling indirect attention to a reading’s blind spots. The transformation of Eliot’s text from an early twentieth-century moment of non-specific disorientation to a proto-trans opportunity to celebrate bodily transformation is not a violation of the text itself but a valid use for it—an insight into the text itself sharpened by a sense of discursive opportunity.