饥饿的现代主义艺术

A. Moody
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引用次数: 0

摘要

第一章重构了构成后来作家运用饥饿艺术的基础的经典。它通过卡夫卡的《饥饿艺术家》、克努特·哈姆森的《饥饿》、梅尔维尔的《记录者巴特比》和兰波的诗歌这四篇典范文本勾勒出饥饿艺术的美学框架,并将这些基础作品置于后来被超现实主义和“迷惘的一代”作家重新利用的背景中。阅读这些文本和作者,既要阅读他们自己的作品,也要阅读后来的作家和学者的作品,它试图推导出后来的作家在新的语境中重新部署饥饿艺术时所参与的艺术理论。
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The Modernist Art of Hunger
Chapter 1 reconstructs the canon that forms the basis of later writers’ deployment of the art of hunger. It sketches the aesthetic framework of the art of hunger through four of its exemplary texts—Kafka’s “A Hunger Artist,” Knut Hamsun’s Hunger, Melville’s “Bartleby, the Scrivener,” and the poetry of Rimbaud—and locates these foundational writings in the context of their later redeployment by surrealist and “lost generation” writers. Reading these texts and authors both in their own moments and as they have been read by later writers and scholars, it seeks to derive the theory of art that later writers engage with when they redeploy the art of hunger in new contexts.
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