当教会和电影结合:通过精通媒体的福音主义模糊界限

Deborah Justice
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引用次数: 1

摘要

社交媒体的使用为新兴宗教团体提供了与现有宗教机构形成鲜明对比的机会。教堂和电影院的交叉构成了这一现象的中心部分。一方面,许多教会接受数字媒体,从布道中的好莱坞片段到完全通过视频传送的布道。与这种媒体的使用相似并重叠的是,电影院教堂作为一种新的周日早晨敬拜形式在世界各地出现。本文通过对两个具有代表性的教会的个案研究来探讨教会与电影的交集。德国维尔茨堡的城市教会是一个自由的福音派信仰团体,人们在市中心的电影院聚会,周日做礼拜。LCBC(生命被基督改变)是美国东海岸最大的多地点大型教会之一。虽然LCBC的主校区提供现场布道,但布道是通过数字流传输到其他地方的。城市教会和LCBC都是越来越多的信仰团体的典范,他们依靠流行音乐和社交媒体来重新定义当地和全球的宗教关系,并宣称自己在文化上是另类的,在精神上是真实的。通过参与国际流动的敬拜音乐、电影和病毒式网络轰动,以新媒体为中心的信仰社区,如城市教会和LCBC,重新配置了既定的神圣声景。城市教会策略性地使用音乐和媒体将会众与邻近的传统德国基督教形式区分开来,同时加强与想象中的全球福音派社区的联系。LCBC创造了文化地理学家Justin Wilford所称的“后郊区的神圣”,从充斥着购物中心的郊区生活的平庸中挖掘出意义。分析这些新的敬拜空间中音乐和媒体的动态变得越来越重要,因为跨国音乐和媒体的选择在本地区分新兴敬拜社区和历史上霸权的宗教邻居方面发挥着越来越重要的作用。
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When Church and Cinema Combine: Blurring Boundaries through Media-savvy Evangelicalism
The use of social media presents new religious groups with opportunities to assert themselves in contrast to established religious institutions. Intersections of church and cinema form a central part of this phenomenon. On one hand, many churches embrace digital media, from Hollywood clips in sermons to sermons delivered entirely via video feed. Similarly and overlapping with this use of media, churches in cinemas have emerged around the world as a new form of Sunday morning worship. This paper investigates intersections of church and cinema through case studies of two representative congregations. CityChurch, in Wurzburg, Germany, is a free evangelical faith community that meets in a downtown Cineplex for Sunday worship. LCBC (Lives Changed by Christ) is one of the largest multi-sited megachurches on the American East Coast. While LCBC’s main campus offers live preaching, sermons are digitally streamed to the rest. Both CityChurch and LCBC exemplify growing numbers of faith communities that rely on popular musical and social media to 1) redefine local and global religious relationships and 2) claim identity as both culturally alternative and spiritually authentic. By engaging with international flows of worship music, films, and viral internet sensations, new media-centered faith communities like CityChurch and LCBC reconfigure established sacred soundscapes. CityChurch’s use of music and media strategically differentiates the congregation from neighboring traditional forms of German Christianity while strengthening connections to the imagined global evangelical community. LCBC creates what cultural geographer Justin Wilford dubs a “postsuburban sacrality” that carves out meaning from the banality of strip-mall-studded suburban existence. Analyzing the dynamics of music and media in these new worship spaces assumes growing importance as transnational music and media choices play an increasingly a central role in locally differentiating emergent worship communities from historically hegemonic religious neighbors.
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