{"title":"计","authors":"Richard Cohn","doi":"10.1163/1574-9347_bnp_e802430","DOIUrl":null,"url":null,"abstract":"This chapter presents a sketch of an analytical model of musical meter, focused on sound rather than notation. A meter is defined as a set of pulses, and classified as an ordered set of adjacent pulse pairs, or minimal meters. The model encourages a view of meter as ever-changing and form-shaping. Metric change is defined as pulse substitution. Scripts of metric change are illustrated through analyses of brief passages of Schumann, Glass, and Ghanian dance-drumming. Hypermeter and quasi-meter (that is, non-isochronous or additive meter) are conceived as complementary ways to generalize meter.","PeriodicalId":177099,"journal":{"name":"The Oxford Handbook of Critical Concepts in Music Theory","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Meter\",\"authors\":\"Richard Cohn\",\"doi\":\"10.1163/1574-9347_bnp_e802430\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter presents a sketch of an analytical model of musical meter, focused on sound rather than notation. A meter is defined as a set of pulses, and classified as an ordered set of adjacent pulse pairs, or minimal meters. The model encourages a view of meter as ever-changing and form-shaping. Metric change is defined as pulse substitution. Scripts of metric change are illustrated through analyses of brief passages of Schumann, Glass, and Ghanian dance-drumming. Hypermeter and quasi-meter (that is, non-isochronous or additive meter) are conceived as complementary ways to generalize meter.\",\"PeriodicalId\":177099,\"journal\":{\"name\":\"The Oxford Handbook of Critical Concepts in Music Theory\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Critical Concepts in Music Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/1574-9347_bnp_e802430\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Critical Concepts in Music Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1574-9347_bnp_e802430","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter presents a sketch of an analytical model of musical meter, focused on sound rather than notation. A meter is defined as a set of pulses, and classified as an ordered set of adjacent pulse pairs, or minimal meters. The model encourages a view of meter as ever-changing and form-shaping. Metric change is defined as pulse substitution. Scripts of metric change are illustrated through analyses of brief passages of Schumann, Glass, and Ghanian dance-drumming. Hypermeter and quasi-meter (that is, non-isochronous or additive meter) are conceived as complementary ways to generalize meter.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
