“我曾经有机会在简·夏普(Jane Sharp)的《Midwives》(1671)一书中表演我的解剖景观。

L. Baratta
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引用次数: 1

摘要

在男性主导的文化背景下,简·夏普是第一位撰写助产学专著的英国女性。与之前的男性论文相比,本文强调了她的助产士书(1671)的独创性,展示了她如何有意识地利用她的男性同行的作品,经常采取反对他们的立场。为了达到这一目的,本文分析了隐喻语言的使用所具有的功能,并确定了一些具体的修辞策略:特别是夏普坚持将自己的视觉经验作为真理的证明,以及她对取自自然世界的隐喻的使用。因此,《助产士之书》似乎采取了女性身体的“体验之旅”的形式,用夏普的话来说,这不再是单纯的猜测,而是一个真实的景观,被看到,被思考,被探索和被描述。
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“I had once the chance to see when I was performing my office of "Midwifry" Paesaggi anatomici nel "Midwives Book (1671) di Jane Sharp
In a cultural context dominated by men, Jane Sharp was the first English woman to have authored a midwifery treatise. The present essay highlights the originality of her Midwives Book (1671) in comparison with the previous male treatises, showing how she consciously exploited her male counterparts’ works, often taking position against them. In pursuing this purpose, the article analyzes the functions attributed to the use of a metaphorical language, identifying some specific rhetorical strategies: in particular way, Sharp’s insistence on her own visual experience as a certification of truth, and her use of metaphors taken from the natural world. Thus, the Midwives Book seems to take the shape of an “experiential journey” in the woman’s body which, in Sharp’s words, is no more the territory of mere speculation, but a real landscape, seen, contemplated, explored and described.
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