70年代和80年代

M. Bell
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引用次数: 1

摘要

本章聚焦于20世纪70年代和80年代,并延续了男性主导地位的女性这一主题,通过对比故事片领域的女性与那些在主流制作之外积极建立电影社区的女性的经历来扩展这一主题。首先看看从事摄影和音响工作的女性,它讨论了她们如何面对“适应或战斗”的选择,以及她们在一个充满男子气概的工作环境中生存的策略。然后,本章继续研究女性在工作室部门的经历,这是十年来电影文化的一个独特特征,它支持跨职业工作,媒体教育和培训。通过关注儿童保育、女性专属空间、阶级和种族等主题,本章探讨了主流电影行业之外的作品的可能性和局限性。它还开辟了性别、种族和性的交叉点,并主张在电影史上更广泛地承认黑人女性的教育学。
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The 1970s and 1980s
This chapter focuses on the 1970s and 1980s and continues the theme of women in male-dominated positions, extending it by contrasting the experiences of women in the feature film sector with those who actively built film communities outside mainstream production. Looking first at women in camera and sound jobs, it discusses how they faced the choice of either “fitting in or fighting” and the strategies they adopted to survive in a macho working environment. The chapter then moves on to examine women's experiences in the workshop sector, a unique feature of the decade's film culture, which supported cross-job working, media education, and training. Through a focus on the themes of child care, women-only spaces, class, and ethnicity, the chapter explores the possibilities, and limitations, of work outside the mainstream film industry. It also opens up the intersection of gender, ethnicity, and sexuality and argues for a wider recognition of Black women's pedagogy in film history.
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