{"title":"巴洛克的数字签名","authors":"A. Went","doi":"10.1515/cris-2016-0002","DOIUrl":null,"url":null,"abstract":"The embedding of coded dates (chronograms) in religious and secular memorial inscriptions became something of an obsession in the early 1700s, especially in the Czech lands. This essay proposes a number of possible reasons for the fashion and further suggests that the appeal of the chronogram had less to do with intellectual vanity – though this played a part – and more with the acknowledged power of inscription itself, particularly when it came in the form of a public prayer.","PeriodicalId":440425,"journal":{"name":"CRIS - Bulletin of the Centre for Research and Interdisciplinary Study","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Digital Signatures of the Baroque\",\"authors\":\"A. Went\",\"doi\":\"10.1515/cris-2016-0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The embedding of coded dates (chronograms) in religious and secular memorial inscriptions became something of an obsession in the early 1700s, especially in the Czech lands. This essay proposes a number of possible reasons for the fashion and further suggests that the appeal of the chronogram had less to do with intellectual vanity – though this played a part – and more with the acknowledged power of inscription itself, particularly when it came in the form of a public prayer.\",\"PeriodicalId\":440425,\"journal\":{\"name\":\"CRIS - Bulletin of the Centre for Research and Interdisciplinary Study\",\"volume\":\"42 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRIS - Bulletin of the Centre for Research and Interdisciplinary Study\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/cris-2016-0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRIS - Bulletin of the Centre for Research and Interdisciplinary Study","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/cris-2016-0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The embedding of coded dates (chronograms) in religious and secular memorial inscriptions became something of an obsession in the early 1700s, especially in the Czech lands. This essay proposes a number of possible reasons for the fashion and further suggests that the appeal of the chronogram had less to do with intellectual vanity – though this played a part – and more with the acknowledged power of inscription itself, particularly when it came in the form of a public prayer.