巴伦西亚的现代性通过建筑师Mauro lleo的三件作品

C. Gregori
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引用次数: 0

摘要

在经历了专制阶段的城市规划停滞之后,真正的城市“繁荣”开始了,瓦伦西亚地区的城市化程度翻了一番。根据1946年土地利用规划提出的无线电同心结构解决方案,城市发展和工业的新轴线在西部,Manises-Quart de polet - aldaia建立,专门从事金属工业。但是,如果没有放射状道路网络,使历史道路与新条件相适应,这个计划是不可行的。卡斯蒂亚皇家大道(Cami Reial de Castilla)就是一个例子,它于1953年通车,成为从马德里到瓦伦西亚的新入口道路,也是连接马尼塞斯机场的通道。一个巨大的商业和工业轴心被创造出来,沿着这个轴心,与国家首都有良好交通的大公司将被安置。可口可乐装瓶厂(1958年)、金属加工厂FLEX(1961年)或子公司SEAT(1965年)就是这样的例子,所有这些建筑都是由同一位建筑师Mauro Lleo Serret(1914-2001年)设计的,他成为了这座城市现代化的先驱。装瓶厂可口可乐,仍然是古铁雷斯-索托模型材料的债务人,在其组成中发挥了一个或两个工厂的简单体积,它们成功地连接了所包含的程序。FLEX工厂是一座工业建筑的高度,在其立面上显示出支撑它的结构网格,尽管仍然是用混凝土建造的,但它被确认为一种组合资源,正在接近建筑师的密斯建设性解决方案。最后,S.E.A.T.大楼是向标准化建筑和预制迈出的一步,尽管人们仍然对其幕墙、遮阳板和金属檐篷的立面解决方案心存疑虑。突出展示车辆建筑,一个钢和玻璃的测地线球体。
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La modernidad en Valencia a través de tres obras del arquitecto Mauro Lleó
After town planning stagnation that the autarchic stage supposed, began the real urban "boom" which doubled the urbanized city of Valencia area. From the radio-concentric structural solution posed by the land-use planning of 1946, the new axes of both, urban development and industrial, were established being the west, Manises-Quart de Poblet-Aldaia, specialized in the metal industry. But the plan was not viable without a network of radial roads that gave the historical paths suitable proportion to their new condition. This is the case of Cami Reial de Castilla that in 1953 was opened to traffic, becoming the new entrance road from Madrid to Valencia and the connection to the Manises airport. A large commercial and industrial axis was created along which large companies given its good communications with the capital of the state would be installed. This is the case of the bottler Coca-Cola (1958), the metal processing factory FLEX (1961) or the subsidiary SEAT (1965), all buildings made by the same architect, Mauro Lleo Serret (1914-2001), that became pioneers of modernity in the city. Bottling plant Coca-Cola, still being debtor in materials of Gutierrez-Soto models, plays in its composition with simple volumes of one or two plants that join successfully linking the program contained. The FLEX factory is an industrial building height that shows in its facade the structural grid that holds it, although still built with concrete, is confirmed as a compositional resource that is approaching the architect to Miesian constructive solutions. Finally, the S.E.A.T. building was a step towards standardized construction and prefabrication, though still distrusts in the solution of its facades built with curtain walls, brise-soleil and metal canopies. Highlighting the exhibition vehicle building, a geodesic sphere of steel and glass.
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