威廉·萨罗扬的《人间喜剧》和米高梅已经消失的《美国牧歌》

Thomas F. Connolly
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摘要

威廉·萨罗扬的小说《人间喜剧》可能是美国第一部重要的剧本改编小说。作者已经签约为米高梅公司创作一部电影,但由于典型的好莱坞骗局,萨罗扬的手稿被淘汰了,不得不满足于仅仅是“从故事中获得”的荣誉。没有一部电影比《人间喜剧》更能体现米高梅对美国的愿景,同时暗示战争结束后美国将做出调整的承诺。路易斯·b·梅尔认为这是米高梅制作的最伟大的电影。它在当时产生了巨大的影响;即使是那些痛斥其多愁善感的评论家也不能否认其戏剧性的力量。作为一种营销手段,这部电影被宣传为根据《萨罗扬的伟大小说》改编,尽管这部小说当时还没有出版。这部电影可能过时了,被人忽视了,但这部小说仍然在印刷,是萨罗扬最重要的作品之一。电影和小说保留了剧本的广泛对话,都提出了关于电影和文学叙事的问题。
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William Saroyan’s The Human Comedy and MGM’s vanished American pastoral
William Saroyan’s novel The Human Comedy () may be the first significant American novel adapted from a screenplay. The author had been contracted to create a film for MGM, but with representative Hollywood chicanery, Saroyan was done out of his manuscript and had to settle for a mere ‘from the story by’ credit. No film crystallizes the MGM vision of America while implying the promises of readjustment to come when the war is over more completely than The Human Comedy. Louis B. Mayer believed it was the greatest film ever produced by MGM. It had a tremendous impact at the time; even critics who lambasted its sentimentality could not deny its melodramatic power. In a marketing twist, the film was advertised as being based on ‘Saroyan’s great novel’ even though the novel had not yet been published. The film may be dated and neglected, but the novel remains in print and is among Saroyan’s most important works. The film and novel retain the screenplay’s extensive dialogue and both raise questions about cinematic and literary narrative.
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