革命性的抒情

Andrew Kahn
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摘要

本章考察了写于1921年至1924年间的四首诗,它们将某种抽象的语言与内心的暴力结合在一起。曼德尔施塔姆为他的抒情诗开发了一套技巧,这些技巧将在探索内疚和暴力等新主题时永远丰富他的诗学;在另一首诗中,他创造了一个象征来代表代际战争,结合了高度形象和抽象,并反思了目的是否证明手段是正当的问题;在第三部作品中,曼德尔施塔姆用寓言和象征,以他自己的方式,将法国大革命和早期布尔什维克文化中普遍存在的恐怖相提并论,质问史学,看看过去是否对预测未来有任何帮助。在对列宁的颂词中,俄国的发展方向问题仍然悬而未决。
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Revolutionary Lyric
This chapter examines a set of four poems, written between 1921 and 1924, that combine a certain abstraction of language with visceral violence. Mandelstam develops a set of techniques for his lyric poetry that will permanently enrich his poetics in exploring new themes such as guilt and violence; in another poem he creates an emblem to represent generational warfare, combining the highly pictorial and the abstract, and reflecting on questions of whether the ends justify the means; in a third, Mandelstam uses allegory and emblems to represent, in his own way, the analogy between the French Revolution and the Terror widespread in early Bolshevik culture, interrogating the historiography to see whether the past is of any use in predicting the future. In a eulogy to Lenin, the question of Russia’s direction remains acutely open-ended.
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