《胡特巴》在现代语言文化背景下以俄语呈现

Feniya F. Farkhutdinova, Khalit A. Yakupov
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引用次数: 0

摘要

穆斯林布道是一种宗教类型,吸引了各个知识领域的专家:神学家、宗教学者、历史学家、社会学家、政治学家和语言学家。随着伊斯兰教的出现,khutah已经走过了漫长的道路,并保持了其仪式的一面不变。在20 - 21世纪的俄罗斯帝国、苏联和后来的俄罗斯联邦,它因地制宜,迎合了当时的政治和民族文化需求,其中之一就是其呈现语言的问题。对阿拉伯语或大多数教区居民的民族语言的倾向,可以解释为要求保持教义的原始纯洁性,或者需要使信徒更深入地了解牧师的话。今天,这个问题仍然存在争议,因为俄语已经获得了国家语言的地位,从许多生活领域取代了双语,小民族因此失去了他们的民族认同。俄语的作用得到加强,还因为它现在履行了忏悔间和忏悔内交流的语言功能。宗教领域的国家政策和人民生活社会条件的变化,影响了胡巴阅读理由和行为条件的扩展,从而产生了一定的体裁转变。在这种大流行病的背景下,不仅布道的形式(在线khutbahs)发生了变化,而且创造性的水平也有所提高,这是基于伊玛目-哈提卜及其同事和学生团队的集体活动。
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Khutbah presented in russian in the context of a modern linguocultural situation
A muslim sermon is a religious genre that attracts the attention of specialists in various fields of knowledge: theologians, religious scholars, historians, sociologists, political scientists, and linguists. Having emerged simultaneously with the emergence of Islam, the khutbah has come a long way and has retained its ritual side unchanged. In the 20th – 21st centuries in the Russian Empire, in the Soviet Union, and later in the Russian Federation, it adapted to local conditions and catered to the political and ethnocultural needs of the time, one of which was the question of the language of its presentation. The orientation towards the canonical Arabic language or the ethnic language of the majority of the parishioners was explained by the requirements to preserve the doctrine in its original purity, or by the need to bring believers to closer understanding of the pastoral word. Today, this issue still remains controversial due to the fact that the Russian language, which has acquired the status of the state language, displaces bilingualism from many spheres of life, and small peoples lose their national identity because of this. The strengthening of the role of the Russian language occurs also due to the fact that now it performs the function of the language of inter-confessional and intra-confessional communication. The state policy in the sphere of religion and the change in the social conditions of people’s life affected the expansion of the reasons for reading the khutbahs and the conditions for their conduct, which gave rise to certain genre transformations. In the context of the pandemic, not only the format of sermons (on-line khutbahs) has changed but also the level of creativity has increased, which is based on the collective activity of the imam-khatib and the team of his associates and students.
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