在andre malraux的Les Noyers de altenburgand Romain gary的欧洲教育中地方的变形

P. Tame
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摘要

本文考察了安德烈·马尔罗的《阿尔滕堡的Noyers》(1943)和罗曼·加里的《Education europ》(1945)中虚构空间和地点(文学同位素)的重要性。分析了空间和地点的变形,以及这些空间与小说人物之间的关系,以找出两位作者在手法上的共同点和不同点。自然,艺术和神话在这两部小说中的角色也被考虑,特别是在战争的背景下。此外,本文还考虑到了两位作者在战时背景下的人文精神。安德烈·马尔罗的变态概念在罗曼·加里的小说《欧洲教育》中得到了重要的回应,特别是在国家和国际背景下改变世界、改变心态和重塑社区的愿望中。对于两位作家来说,与死亡的形而上学斗争往往被描绘成比与敌人的军事冲突更重要。此外,两位作家的小说在文本起源和生成方面都经历了多次文学嬗变。虽然罗曼·加里的作品在今天可能没有安德烈·马尔罗那么出名,但我们可以发现,结论是,前者的方法、风格和思想内容实际上同样“现代”,对今天的读者很有吸引力。
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The Metamorphosis of Places in André Malraux’s Les Noyers de l’Altenburgand Romain Gary’s Education européenne
This article examines the importance of imaginary spaces and places (literary isotopias) in André Malraux’s Les Noyers de l’Altenburg (1943) and Romain Gary’s Education européenne (1945). It analyses the metamorphoses of space and place, together with the relationships between those spaces and the novels’ characters, in order to identify commonality as well as differences between the approaches of the two authors. The roles of nature, art and myth in the two novels are also considered, particularly in the context of war. Moreover, the article takes into account the humanism of both authors against the background of wartime. André Malraux’s crucial concept of metamorphosis finds significant echoes in Romain Gary’s novel Education européenne, particularly in the aspiration to transform the world, change mentalities and remake communities both in the national and international contexts. For both writers, the metaphysical struggle against death is often portrayed as being more important than the military conflict with the enemy. Moreover, the novels of both writers have undergone a number of literary metamorphoses in terms of textual genesis and generation. Although Romain Gary’s work is probably less well known today than that of André Malraux, we may find, in conclusion, that the former’s approach, style and content of thought are actually just as “modern” and appealing to readers nowadays.
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