从阿尔都塞的《意识形态与意识形态国家机器》看罗伊《极乐部》的边缘化

Ummay Hafsa
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摘要

本文拟以阿伦达蒂·罗伊(Arundhati Roy)的《极度幸福部》(the Ministry of the极乐部)中的人物形象为基础,研究那些被认为是边缘人物,只居住在现代发达印度社会的边缘。边际这个词通常指的是不被视为一个主要群体或情况的一部分的状态。罗伊令人惊叹的人道主义小说《极乐部》中的主要人物——安朱姆、萨达姆、蒂洛、穆萨等人不属于印度社会的主流阶层,他们被忽视,多次被推翻,几乎被他们所生活的社会所破坏。用阿尔都塞的“意识形态与意识形态国家机器”理论来探讨边缘化的复杂过程是可能的。他把意识形态描绘成代表统治阶级的一种妄想体系。从罗伊的《意识形态与意识形态国家机器》来看,《极乐部》和路易·阿尔都塞的《意识形态与意识形态国家机器》证明了人类生活的方方面面都受到意识形态的严重影响。他的理论显示了意识形态国家机器如何使下层阶级的统治合法化。
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Marginalized in Roy’s The Ministry of Utmost Happiness in the Light of Louis Althusser’s “Ideology and Ideological State Apparatus”
This article proposes to research the people who are considered peripheral and dwelling only on the margin of a modern developed Indian society based on their portrayal in Arundhati Roy’s The Ministry of Utmost Happiness. The word marginal generally refers to the state of being not regarded as a part of a main group or situation. The principal characters of Roy’s stunning humane fiction The Ministry of Utmost Happiness- Anjum, Saddam, Tilo, Musa, and others do not belong to the mainstream class of Indian society and are neglected, pushed over on several occasions and almost broken by the society in which they live in. It is possible to explore the complex process of marginalization with the theory of Loius Althusser’s “Ideology and Ideological state apparatus”. He has presented ideology as a system of delusion that acts on behalf of the ruling class. Considering Roy’s, The Ministry of Utmost Happiness with Louis Althusser’s” Ideology and Ideological State Apparatus” proves every aspect of human life is badly affected by ideology. His theory shows how the Ideological State Apparatus legalized the domination of the lower-class people.
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