马来西亚印度阶级动态的比较建构:K.S. Maniam的《归来》和Preeta Samarasan的《夜晚是一整天》

S. Pillai, R. K. Shangeetha
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摘要

摘要:本文介绍了一个在全球南亚流散文学研究中处于边缘地位的群体的文学作品:马来西亚的印度流散。它以马来西亚印第安人社区的简要历史概述以及马来西亚印第安人著作的概述和制图开始。然后,本文对马来西亚印度人身份政治的一个核心问题——种姓和阶级——在两部小说中的表现进行了比较分析:一部是马来西亚知名作家K.S. Maniam的《归来》,另一部是这个群体最新出现的作家Preeta Samarasan的《晚上就是一整天》。本文的最终目的是表明,如果一个人走近画布,更深入地观察文学文本中社区的表现,这些文学文本将马来西亚印度人的经历语境化和个体化,那么流散社区内部的种族异质性和冲突,以及次等定位的形式,就会变得清晰可见,它们不断地揭示出这样一个社区与全球同行一样是异质性的。
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Comparative Constructions of Malaysian Indian Class Dynamics: K.S. Maniam's The Return and Preeta Samarasan's Evening Is the Whole Day
Abstract:This article presents a glimpse into the literary writings emanating from a community that has, at best, remained at the margins of global South Asian diasporic literary scholarship: that of the Indian diaspora in Malaysia. It begins with a brief historical overview of the Malaysian Indian community together with an overview and cartography of Malaysian Indian writings. It then develops a comparative analysis of the representation of an issue quite central to Malaysian Indian identity politics, that of caste and class, in two novels: The Return by K.S. Maniam, an established Malaysian writer, and Evening Is the Whole Day by Preeta Samarasan, the newest writer to emerge from this community. The ultimate aim of this article is to show that if one steps closer to the canvas and look deeper at the representations of the community in literary texts that contextualize and individualize the Malaysian Indian experience, then intra-ethnic heterogeneity and conflicts within the diasporic community, as well as the forms of subaltern positioning, become visible, and they insistently reveal that such a community is as heterogeneous as its global counterparts.
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