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引用次数: 0

摘要

戏剧艺术通常发生在当下的“此时此地”,然而戏剧作品的所有参与者(首先是演员)都将他们个人和职业的“过去”贡献给了这个“现在”。以色列戏剧界的“第一夫人”莉娅·柯尼格和米里亚姆·佐哈尔都是90岁的大屠杀幸存者。在长达70多年的丰富职业生涯中,莉娅·柯尼格和米里亚姆·佐哈尔曾出演过“大屠杀剧”。本文考察了他们将个人传记融入戏剧表演和对戏剧文本的解读的方式。对他们参与的不同项目的审查表明,他们每个人都利用不同的战略来解决以色列大屠杀的记忆。他们的个人案例既可以告诉我们艺术家在他或她生活和表演的社会中作为记忆代理人的角色,也可以为以色列对大屠杀的记忆提供更普遍的模式。
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Lea Koenig and Miriam Zohar: Theater Actresses as Memory Agents
The art of theater takes place, as a rule, in the ‘here and now’ of the present, yet all participants in a theatrical production (first and foremost the actors) contribute their personal and professional ‘past’ to this ‘present.’ Both ‘first ladies’ of Israeli theater, Lea Koenig and Miriam Zohar, are Holocaust survivors and ninety years old. Throughout rich careers which span over seven decades, Lea Koenig and Miriam Zohar have been cast in ‘Holocaust Plays.’ This essay examines the way they incorporated personal biography in their theatrical performances and their interpretations of dramatic texts. An examination of the different projects in which they were involved reveals that each of them made use of a different strategy to address the memory of the Holocaust in Israel. Their personal cases can both teach us about the role of the artist as an agent of memory within the society in which he or she lives and performs and exemplify more general patterns in Israel’s memory of the Holocaust.
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