多尺度神经科学杂志

Tadhg Waddington, R. Balasubramaniam
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摘要

目前有大量的研究致力于研究大脑和身体的多尺度过程,以及它们相互作用的本质。本文的目的是通过对音乐中发现的多尺度组织以及这些系统相互作用的方式进行全面的描述,来补充对大脑和身体动力学的分析。我们继续识别标度律作为系统多尺度特征的标志,并做出区分1)无标度结构和2)无标度动力学的方法选择。我们遵循这些区别来展示如何具体i.)分层时间结构,ii.)远程时间相关性,以及iii.)音乐信息作为无音阶结构在音乐感知和表演过程中与大脑和身体在各种时间或空间尺度上的活动相关。此外,这与将我们的重点固定在有限的无尺度动力学选择上是平行的,即,iv.)共振和卷入,v.)幂律分布,vi.) 1/f缩放。尽管音乐活动、表演和音乐本身无处不在的比例关系涉及普遍性的主题,但我们概述了在这种背景下,关于大脑、身体和音乐环境之间关系的不同理论建议。通过这些例子,我们确定了它们的重叠和分歧,并提出了未来的研究方向。
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Journal of Multiscale Neuroscience
A wide body of research is currently being devoted to investigating the multiscale processes across the brain and body, and the nature of their interactions. The purpose of this paper is to supplement these analyses of brain and body dynamics by providing a comprehensive account of the multiscale organisations also found in music, and ways in which these systems interact. We proceed in identifying scaling laws as a signature for multiscale features of a system and make the methodological choice of distinguishing 1) scale free structure from 2) scale free dynamics. We follow these distinctions in demonstrating how specifically i.) hierarchical temporal structures, ii.) long-range temporal correlations, and iii.) musical information as scale free structures relate to activity in the brain and body at various temporal or spatial scales during music perception and performance. Further, this is paralleled by fixing our focus to a limited choice of scale free dynamics, namely, iv.) resonance and entrainment, v.) power law distributions, and vi.) 1/f scaling. Though the ubiquitous scaling relations across musical activities, performance and music itself touch on the theme of universality, we outline how differing theoretical proposals concerning the relation between brain, body and musical environment arise in such contexts. Using these examples, we identify their overlap and divergence, and propose future directions for inquiry along these lines.
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