从串故事到卫星:在文学和民间传说中对阿拉斯加原住民的描绘

C. J. Keim, Jack Bernet
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摘要

哈娜·康格斯夫人于1940年在阿拉斯加大学获得学士学位,并于2010年获得硕士学位。在1967年。在27年的时间里,这个有一半爱斯基摩血统的女人养家糊口,并在学校教书。她生动地回忆起在北极,坐在家里的巴拉巴拉地板上,看着爱斯基摩人用绳子讲故事。他们用绳子或绳子在手上编织成各种各样的图案,让人想起美国民间熟悉的猫摇篮,他们一边制作绳形图案,一边讲述爱斯基摩人的传统信仰、习俗和故事。即使在今天,其他爱斯基摩学生也有类似的交流经历,在讲故事的过程中,他们用故事刀把人物拉入地下,从而加强了交流。其中一些刀是雕刻复杂的象牙乐器,有几英寸长,代代相传。其他工具则是简单的餐刀或钉子,它们会在地面上刻下相当清晰的插图,以帮助更充分地传达叙述者的故事。与此同时,他们使用这些古老的交流手段,在一个现在才发展成书面形式的民族中,阿拉斯加土著讲故事的人今天通过卫星通信的方式练习他们的艺术,并吸引比以往更多的观众。在费尔班克斯北极星图书馆的赞助下,阿拉斯加大学的KUAC-FM广播电台和ATS-I卫星的演播室每周向几乎整个586,400平方英里的州的村庄播放当地故事讲述者的故事。这些活动,加上出版当地民间传说的加速运动,使阿拉斯加人口中这重要的25%的部分最终将得到应有的文学上的重视,这最终将导致进一步的政治和社会认可。更重要的是,这些努力使当地人能够将他们的遗产跨越多元文化的桥梁,以达到相互理解。当地的阿拉斯加人应该有一个新的、更准确的“形象”,而不是过去,特别是从1898年的淘金热时代到20世纪20年代中期,那些拥有书面语言和印刷工艺的英美作家们所描绘的那样。传统的刻板印象通常出现在著名诗人、短篇小说作家和小说家的作品中,在很大程度上遵循了匿名创作、广泛出版的“Kobuk少女”的先例,该作品描绘了爱斯基摩人
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From String Stories to Satellites: Portrayal of the Native Alaskan in Literature and Folklore
Mrs. Hana Kangas earned her B.Ed. degree at the University of Alaska in 1940, her M.Ed. in 1967. In the twenty-seven-year interim this half-Eskimo woman raised a family and taught school. She vividly recalls sitting on the floor of the family barabara in the Arctic and watching the Eskimo string storytellers. Weaving a loop of sinew or cord on their hands into various figures reminiscent of the cat's cradle familiar to American folkways, they told the traditional beliefs, practices, and tales of the Eskimo people as they made the string figures. Even today, other Eskimo students relate similar experiences of communication enhanced by figures drawn into the earth during the telling with story knives. Some of these knives are intricately carved ivory instruments several inches long, which have been passed down from one generation to the next. Other instruments are simply table knives or nails that will scratch a fairly legible illustration into the earth to help more fully communicate the narrator's story. At the same time they employ these ancient means of communication among a people whose language only now is being developed into written form, native Alaskan storytellers today practice their art and reach larger audiences than ever by means of satellite communication. Through the auspices of the Fairbanks North Star Borough Library, the studios of the Lfniversity of Alaska's KUAC-FM radio station and the ATS-I satellite each week broadcast tales contributed by native storytellers to villages virtually throughout the 586,400-square-mile state. Such activity, coupled with an accelerating movement to publish native folklore, gives solid assurance that this important twenty-five percent segment of Alaska's population will at last receive its proper literary due, which, in rum, will lead to further political and social recognition. More important these efforts enable natives to carry their heritage across the multi-cultural bridges to understanding. The native Alaskan deserves a new, more accurate "image" than that generally projected in the past, particularly from the Gold Rush era of 1898 to about the mid-1920s, by Anglo-American authors who did have a written language and printing processes at their disposal. The traditional stereotypes which usually emerge in the works of the known poets, short story writers, and novelists follow to a great degree the precedent set in the anonymously composed, widely published "Kobuk Maiden," which portrays the Eskimo
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