日惹的主要哲学核心核心地区标志

Azis Yon Haryono
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引用次数: 1

摘要

对日惹空间形成结构的历史研究显示了形成城市主要大厅走廊的轴或枢轴。这些轴线以建筑的形式连接到城市元素的点,从城市北部的白帕尔纪念碑(Tugu Pal Putih)建筑开始,城市中部的苏丹宫和宫殿南部的panggong Krapyak。这个轴系列被称为日惹的哲学轴。考虑到它在城市中心的位置,这些轴线具有非常重要的价值。它肯定会对构成该地区的所有物理元素产生影响。其中一个提到的元素是符号元素。标志元素的定义是地标性建筑、大门、节点、广告牌、交通标志、信息板、艺术媒体(壁画)、纪念碑(雕塑)以及公共空间中的三维艺术装置。在现场的识别结果表明,首先,沿轴线存在的符号往往没有特殊字符(鲜明字符),因此形成的空间字符与其他位置是封闭的。第二,广告媒体或信息板的存在,无论是商业的、社会的还是来自政府的信息,往往是无组织的,占据了可用的空间。艺术装置、纪念碑、大门和遗产建筑等形式的特定元素已经存在,形成了该地区的特色,广告媒体和信息板的存在给人留下了深刻的印象,因此感觉从视线中消失了。广告媒体和信息板的重新安排,以及具有良好协同作用的标志元素的发展,将有助于加强日惹Tugu Pal Putih和Panggung Krapyak的哲学轴心的价值。
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PENANDA KAWASAN SEBAGAI PENGUAT NILAI FILOSOFIS SUMBU UTAMA KOTA YOGYAKARTA
Title: Urban Signage as Philosophical Reinforcement Main Axis of Yogyakarta The history search of space-forming structure of Yogyakarta shows an axis or pivot that forms the main hall corridor of the city. The axes are connected to the point of the city elements in the form of buildings starting from the White Pal Monument (Tugu Pal Putih) building in the north of the city, the Sultan Palace in the middle of the city, and Panggung Krapyak in the south of the Palace. The axis series are called as philosophical axis of Yogyakarta. These axes have a very important value considering to its position in the main pivot of the city. It will certainly bring its consequence on all of the physical elements that form the region. One of these referred elements is the sign elements. The definition of the sign elements is landmark buildings, gates, nodes, billboards, traffic signs, information boards, art media (murals), monuments (sculptures), and the installations of three dimension art in the public space. The result of the identification in the field shows that, the first, the presence of the signs along the axis tend to be without special characters (distinct character), so the formed character of the space is closed to the other locations. The second, the existence of advertisement media or information boards whether commercial, social, or information from the government tend to be unorganized and dominate the available spaces. The specific elements in the form of work of art installation, monuments, gates, and heritage buildings that have already existed and form a special character to the region that impressed overwhelmed by the presence of advertising media and information boards so it is felt to be lost from the sight. The rearrangement of the advertising media and information boards, also the development of sign elements that have a good synergy will contribute to the value strengthening of philosophical axis of Tugu Pal Putih and Panggung Krapyak of Yogyakarta.
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