从喀拉拉邦Thiruvananthapuram木雕反映的濒死象牙工艺文化资源管理

Sudip Saha
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引用次数: 0

摘要

印度喀拉拉邦首府蒂鲁凡南塔普兰的象牙雕刻曾因其精湛的工艺而享誉国际。该行业的起源可以追溯到公元17世纪或更早,并从19世纪开始在特拉凡科王公的赞助下发展成为一个成熟的行业。在古代,它是由婆罗门和金匠练习的,后来也由木匠(achary)练习。虽然数量很少,但一些工匠现在仍在继续用红木、白雪松和更罕见的檀香木等象牙的替代品进行艺术创作。在1990年禁止象牙之后,这种作为非物质文化遗产象征的做法似乎濒临消失。作为文化资源管理(CRM)成功的一个例子,Thiruvananthapuram的传统雕刻师被转移到檀香雕刻。目前,檀香是一种脆弱的物种,非常昂贵。除了联合国教科文组织《巴黎公约》(教科文组织2003)中提到的威胁外,一些非物质文化遗产的元素也由于自然遗产的文化利用所产生的冲突而消失,导致自然生物走向灭绝。当前研究的目的是分析这些问题,并制定富有成效的策略,通过可持续利用天然原材料和替代材料来保护古老的工艺。
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Cultural Resource Management of the Dying Ivory Craftsmanship as Reflected in the Wood Carving of Thiruvananthapuram, Kerala
Ivory carving from Thiruvananthapuram, the capital of the Indian state of Kerala, was once appreciated internationally for its outstanding craftsmanship. The origin of the industry can be traced back to 17th century CE or before that, and grew as a full fledged industry under the patronage of the Maharajas of Travancore from the 19th century onwards. During the old period it was practiced by Brahmins and goldsmiths, and later by the carpenters (achary) as well. Though they are very few in number, some craftsmen are now continuing the art on alternatives to ivory such as rosewood, white cedar and, even more rarely, sandalwood. After the ban on ivory in 1990, this practice—emblematic of Intangible Cultural Heritage—looked on the brink of disappearing. In an example of Cultural Resource Management (CRM) success, the traditional carvers of Thiruvananthapuram were shifted to sandalwood carving. Presently, sandalwood is a vulnerable species and extremely expensive. In addition to the threats mentioned in the UNESCO Paris convention (UNESCO 2003), some elements of Intangible Cultural Heritage are also disappearing due to the conflict that arises from the cultural use of natural heritage, leading nature’s beings toward extinction. The aim of the current research is to analyze these problems and to formulate fruitful strategies for the safeguarding of the age-old craft with sustainable use of natural raw materials and alternative materials.
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Cultural Resource Management of the Dying Ivory Craftsmanship as Reflected in the Wood Carving of Thiruvananthapuram, Kerala DATING THE BRONZE AGE OF SOUTHEAST ASIA. WHY DOES IT MATTER? INDUSTRIES OF ANGKOR PROJECT: PRELIMINARY INVESTIGATION OF IRON PRODUCTION AT BOENG KROAM, PREAH KHAN OF KOMPONG SVAY MEGALITHIC JAR SITES OF LAOS: A COMPREHENSIVE OVERVIEW AND NEW DISCOVERIES
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