非裔美国人在《为奴十二年》和《内战前》电影中的表现

Ee Zhi Yuin, Muhammad Su’ud Zhariff bin Zaharin, Mohd Hanafi bin Jumrah
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摘要

电影院经常被用作逃避现实的元素和对观众的现实表现。在美国和全球范围内,电影在发展和维持种族文化思想和态度方面也起着至关重要的作用。自19世纪30年代以来,与白人相比,非裔美国人在电影中要么表现得不受欢迎,要么表现得心胸狭窄。在美国一部著名的电影《国家的诞生》中,一个扮演非裔美国人的白人演员被描绘成一个野蛮的暴力分子,他抓住了白人妇女。尽管电影中对非裔美国人的刻画不准确,但自20世纪20年代以来,同样的比喻在电影行业不断出现。因此,本文运用批判种族理论研究非裔美国人在好莱坞电影中的代表性。两部好莱坞电影将被用作比较案例研究,分别是史蒂夫·麦奎因的《为奴十二年》(2013)和杰拉德·布什和克里斯托弗·伦兹的《战前》(2020)。结果显示了种族和种族主义在社会中的重要性,在电影中发现了几种常见的种族偏见。病态的刻板印象也通过电影呈现出来,白人角色对曾经与他们享有平等特权的非裔美国人展示了他们的权力和控制。关键词:代表性;非裔美国人;好莱坞电影;
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The Representation of African Americans in 12 Years A Slave and Antebellum Films
Cinemas are often used as an element of escapism and a representation of reality to the audience. Cinema also plays a crucial part in developing and sustaining racial cultural ideas and attitudes in the United States of America and globally. Since the 1830s, African Americans have appeared in film as either shown unfavorably or as small-minded people in comparison to their white peers. In a famous film in America, “Birth of Nation”, a white actor who acted as African American was portrayed as savagely violent who seized on Caucasian women. Despite the inaccurate portrayal of African Americans in the film, identical tropes have continued to emerge in the film industry since the 1920s. Therefore, this paper studies the representation of African Americans in Hollywood films using Critical Race Theory. Two Hollywood films will be used as a comparative case study namely Steve McQueen’s 12 Years A Slave (2013) and Gerard Bush and Christopher Renz’s Antebellum (2020) respectively. The result shows the importance of race and racism in society, several common types of racial prejudice have been detected in the films. Pathological stereotypes have also been presented through the films and the white characters show their power and control towards the African Americans who once had equal privilege with them. Keyword : Representation, African-Americans, Hollywood Films, Antebellum.
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