{"title":"Postproduciendo (casi) nada","authors":"José Manuel López Ujaque","doi":"10.14198/I2.2016.4.02","DOIUrl":null,"url":null,"abstract":"espanolPostproduccion es un termino extraido de la industria audiovisual que alude a todas las operaciones realizadas sobre un material YA grabado o existente: musica, fotografias, videos, peliculas, pinturas, etc. Tiene mayoritariamente un caracter entropico, de liberacion continua e irreversible de energias y nuevos productos reprogramados que revisan productos ya anteriormente reprogramados, y asi de manera sucesiva hasta el infinito. ?Podriamos imaginar una postproduccion de sentido contrario? ?Una postproduccion cuyo esfuerzo tienda a cero? ?Y si ahora preferimos seguir postproduciendo pero haciendolo desde (casi) nada? Si extrapolamos esta otra acepcion directamente hacia la practica arquitectonica, estariamos reivindicando una forma explicita de eficacia donde la manera de proceder (la mejor opcion, la mas sostenible) puede ser precisamente ‘no hacer’ o ‘hacer muy poco’. Una semejanza que nos emparentaria con Bartleby, el personaje de Herman Melville y su celebre frase: “preferiria no hacerlo”. EnglishPostproduction is a technical term from the audiovisual vocabulary used in television, film and video. It refers to the set of processes applied to recorded material. It mainly has an entropic character, which means a continuous and irreversible release of energy and new reprogrammed products, reviewing previously reprogrammed ones in an infinite process. Could we imagine a postproduction towards the opposite direction? A postproduction whose effort tends to zero? What if we now prefer to continue being postproductive but doing it through (almost) nothing? Extrapolating this other meaning directly into architectural practice, we would be reclaiming an explicit form of efficacy where the way of acting (the best choice, the most sustainable) can be ‘doing nothing’ or ‘doing almost nothing’. Something that will connect us to Bartleby, Herman Melville's character and his famous quotation: “I would prefer not to”.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"[i2]: Investigación e Innovación en Arquitectura y Territorio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14198/I2.2016.4.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
西班牙后期制作是音像产业的一个术语,指的是对已经录制或存在的材料进行的所有操作:音乐、照片、视频、电影、绘画等。它主要具有熵的特征,连续和不可逆的能量释放和重新编程的新产品,修改已经重新编程的产品,因此连续无限。我们能想象一个相反方向的后期制作吗?一个努力为零的后期制作?如果我们现在更喜欢继续后期制作,但(几乎)从零开始呢?如果我们将这一另一种含义直接推断到建筑实践中,我们将主张一种明确的效率形式,在这种形式中,前进的方式(最好的、最可持续的选择)可能恰恰是“不做”或“做得很少”。这让我们想起了巴特比,赫尔曼·梅尔维尔(Herman Melville)饰演的角色,以及他那句名言:“我宁愿不这样做。”英语后期制作是电视、电影和视频中使用的视听词汇的技术术语。它指的是一套适用于记录材料的程序。它主要具有一个热力学特性,这意味着能量的连续和不可知的释放和新的重新编程产品,在一个无限的过程中重新编程。我们能想象一个相反方向的后期制作吗?谁的努力趋向于零?如果我们现在更喜欢继续做后期生产,但几乎什么都不做呢?通过将这一其他意义直接推断到建筑实践中,我们将重新获得一种明确的效率形式,即行为方式(最佳选择、最可持续)可以是“什么都不做”或“几乎什么都不做”。东西that will connect us to Bartleby,赫尔曼·梅尔维尔的查阅以及他cedefop quotation:“I prefer not to会”。
espanolPostproduccion es un termino extraido de la industria audiovisual que alude a todas las operaciones realizadas sobre un material YA grabado o existente: musica, fotografias, videos, peliculas, pinturas, etc. Tiene mayoritariamente un caracter entropico, de liberacion continua e irreversible de energias y nuevos productos reprogramados que revisan productos ya anteriormente reprogramados, y asi de manera sucesiva hasta el infinito. ?Podriamos imaginar una postproduccion de sentido contrario? ?Una postproduccion cuyo esfuerzo tienda a cero? ?Y si ahora preferimos seguir postproduciendo pero haciendolo desde (casi) nada? Si extrapolamos esta otra acepcion directamente hacia la practica arquitectonica, estariamos reivindicando una forma explicita de eficacia donde la manera de proceder (la mejor opcion, la mas sostenible) puede ser precisamente ‘no hacer’ o ‘hacer muy poco’. Una semejanza que nos emparentaria con Bartleby, el personaje de Herman Melville y su celebre frase: “preferiria no hacerlo”. EnglishPostproduction is a technical term from the audiovisual vocabulary used in television, film and video. It refers to the set of processes applied to recorded material. It mainly has an entropic character, which means a continuous and irreversible release of energy and new reprogrammed products, reviewing previously reprogrammed ones in an infinite process. Could we imagine a postproduction towards the opposite direction? A postproduction whose effort tends to zero? What if we now prefer to continue being postproductive but doing it through (almost) nothing? Extrapolating this other meaning directly into architectural practice, we would be reclaiming an explicit form of efficacy where the way of acting (the best choice, the most sustainable) can be ‘doing nothing’ or ‘doing almost nothing’. Something that will connect us to Bartleby, Herman Melville's character and his famous quotation: “I would prefer not to”.