第六章鲍勃·迪伦的转变:作为征兆和过渡的“福音年代”

Gisle Selnes
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引用次数: 0

摘要

这篇文章分析了鲍勃·迪伦在他的作品中其他的皈依,强调了皈依事件的神学时刻。皈依的两个重要方面开启了迪伦重生的输出:一方面,作为他追求的无所不在的“对象”的基督形象的孤立和净化;另一方面,他对早期作品中的一系列人物和主题进行了“重新编码”,当然,其中大部分都来自众所周知的美国歌本。在迪伦的福音主义策略前后,18世纪美国超验主义的遗产以及作为反叛和/或艺术家象征的基督构成了他艺术中相对稳定的两个宗教方面。
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CHAPTER 6 Bob Dylan’s Conversions: The “Gospel Years” as Symptom and Transition
This contribution analyzes Bob Dylan’s evangelic conversion in light of other conversions throughout his oeuvre, emphasizing the theological moment of the event of conversion as such. Two important aspects of conversion inaugurate Dylan’s born-again output: on the one hand, the isolation and purification of the figure of Christ as the all-pervading “object” of his quest; on the other, the “re-coding” of a series of figures and motifs from his earlier work, most of them derived, of course, from the proverbial American songbook. Before and after Dylan’s evangelical ruse, the legacy of 18th Century American Transcendentalism as well as Christ as an emblem of the rebel and/or artist constitute two relatively stable religious aspects of his art.
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CHAPTER 4 When the Wind is the Answer: The Use of Bob Dylan Songs in Worship Services in Protestant Churches CHAPTER 2 “The Titanic sails at dawn”: Bob Dylan, “Tempest”, and the Apocalyptic Imagination CHAPTER 8 Bob Dylan’s Ten Commandments – a Method for Personal Transformation CHAPTER 7 Hard Rain: The End of Times and Christian Modernism in the Work of Bob Dylan CHAPTER 5 The Visual Dylan: Religious Art, Social Semiotics and Album Covers
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