从卡托到柏拉图再到柏拉图:约翰·蔡泽斯的《书信与孩童》中的友谊与庇护

V. F. Lovato
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引用次数: 0

摘要

在他作品的许多段落中,约翰·蔡泽斯将自己比作过去希腊和罗马的不同人物,以强调他的作者人格的相关特征。这一策略一直是最近研究的主题,这些研究强调了蔡泽斯不断引用并认同希腊和罗马模式的自我广告议程。借鉴和超越这一文学流派,本文追求两个主要目标。首先,它旨在将蔡泽斯对过去这些人物的引用置于更广泛的社会文化动态中,这些动态为他的自我塑造策略提供了信息。为此,本书将重点关注他作品中涉及友谊和赞助的段落,这两种社会实践对任何拜占庭作家都至关重要。其次,本文试图表明,蔡泽斯利用这些人物来反思他作为一名受委托作家的状况,并巧妙地利用这些人物来创造一种作者式的叙事,既阐明又玩弄了他的职业身份所带来的限制和矛盾。
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From Cato to Plato and Back Again: Friendship and Patronage in John Tzetzes' Letters and Chiliades
In many passages of his works, John Tzetzes likens himself to different figures from the Greek and Roman past in order to emphasise relevant features of his authorial persona. This strategy has been the subject of recent studies, which underscore the self-advertising agenda underlying Tzetzes’ constant reference to – and identification with – Greek and Roman models. Drawing on and going beyond this strand of literature, this paper pursues two main goals. First, it aims to situate Tzetzes’ references to these figures from the past within the broader sociocultural dynamics informing his self-fashioning strategy. To this end, it will focus on passages of his works dealing with friendship and patronage, two social practices that were crucial to any Byzantine writer. Second, the paper seeks to show that Tzetzes uses these figures to reflect upon his condition as a commissioned writer, skilfully employing them to create an authorial narrative that both spells out and plays with the constraints and contradictions stemming from his professional status.
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