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摘要

本文从总体上描绘了意大利未来主义运动与法西斯主义的关系。它讲述了未来主义领袖f·t·马里内蒂和贝尼托·墨索里尼从1915年开始合作到第二次世界大战结束之间的关系。在整个时代,未来主义与意大利的社会和政治气候相一致。未来主义是法西斯主义的意识形态来源之一,它是1919年形成战斗法西斯运动的运动之一。但在墨索里尼掌权后,法西斯文化政治在美学上更倾向于传统主义、秩序和对历史成就的回归,这是一种当代的“堕落的秩序”,而未来主义则在文化异见中找到了自己。因此,马里内蒂的余生都在努力提高现代主义艺术家在法西斯意大利的地位,这将为未来主义赢得法西斯政权官方艺术的认可。
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Futurismus a fašismus
The article maps the relationship between the Italian Futurist movement and fascism from a general perspective. It deals with the relationship between the leader of Futurism F. T. Marinetti and Benito Mussolini from the beginning of their cooperation in 1915 to the end of the Second World War. Throughout its era, Futurism identified itself with Italy’s social and political climate. Futurism was one of the ideological sources for fascism and it was one of the movements that formed Fasci di Combattimento in 1919. But after Mussolini came to power, fascist cultural politics aesthetically preferred traditionalism, order, and a return to the achievements of history, a contemporary rappel à l’ordre, and Futurism found itself in cultural dissent. Marinetti thus spent the rest of his life trying to improve the position of modernist artists in fascist Italy, which would earn Futurism recognition of the official state art of the fascist regime.
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