分工、结合点、系统:约翰·罗斯金作品中的桥梁与搭桥

P. Tucker
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引用次数: 0

摘要

本章从考虑最近以拉斯金命名的一座桥的设计开始,它的不足之处是忽视了拉斯金对桥梁基本功能的定义,即在河流上安全通行,并错误地应用了他的“抽象线条”概念作为装饰。对于罗斯金来说,由功能决定的曲率允许桥梁在物质上追踪这些线,从而集中体现了控制景观组成、自然形态和人类共存的一般规律。这一章以桥梁为纽带,作为贯穿其作品的线索,探讨了罗斯金对桥梁的重要性和神圣性的认识,尤其是他赋予一个理想的庞蒂费克斯(Pontifex)的角色,即跨越国家、文化和认知鸿沟的安全通道的担保人。
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Division, Juncture, System: Bridges and Bridge-Building in the Work of John Ruskin
This chapter starts by considering a recent design for a bridge named after Ruskin, whose inadequacy it attributes to disregard for Ruskin's definition of a bridge's basic function as that of safe passage over a river and misapplication of his concept of ‘abstract lines’ as ornament. For Ruskin, curvature determined by that function allowed bridges materially to trace such lines and so epitomize general laws governing landscape composition, natural morphology and human co-existence. Taking it as a figure of connection, threaded as a clue through his work, the chapter explores Ruskin's sense of the significance and sacredness of bridges, manifested especially in the role he assigned to an ideal Pontifex, guarantor of secure passage across national, cultural and cognitive divides.
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John Ruskin, un œil européen La photographie, la peinture, l’écriture et l’énigme de la visibilité Edited by Ruskin: Francesca Alexander’s Roadside Songs of Tuscany Ce qui commence à Calais : l’Europe, terrain de jeu de Ruskin Il mercato antiquariale nella Venezia di Ruskin L’arte medievale in Germania John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis
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