狩猎神

G. Hale
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引用次数: 0

摘要

结束语是对上世纪90年代雅典舞台、黑尔及其乐队所发生的事情的评论。包括rem在内的一些乐队的成功,意味着当地人认为他们已经不再是另类乐队了。雅典也开始士绅化,佐治亚大学成为了一所更加挑剔的学校。雅典的文化在这些年里发生了变化,部分原因是波西米亚人所扮演的角色。雅典变得更加自由,对LGBTQIA+社区更加开放,白人至上主义减少,在提供社会服务方面更加慷慨。总的来说,雅典和其他零散的美国独立工作室,在创造一种新的基于地点的、国际化的、前瞻性的美国文化以及对当地的重新兴趣方面发挥了几乎未被承认的作用。黑尔总结道,和美国一样,雅典的场景也是集体创造的结果。
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Hunting Divine
The conclusion offers remarks on what happened to the Athens scene, Hale, and its bands in the 1990s. The success of some bands, including R.E.M., meant locals thought they had stopped being alternative acts. Athens also began to gentrify, and UGA became a much more selective school. The broader culture of Athens changed during these years due, in part, to the role played by bohemians. Athens became more liberal, more open to the LGBTQIA+ community, less white supremacist, and more generous in providing social services. Overall, Athens, and other scattered sites of indie America, played a mostly unacknowledged role in creating a new kind of place-based, cosmopolitan, and forward-looking American culture as well as a renewed interest in the local. Like America, Hale concludes, the Athens scene was a collective creation.
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