培训艺术家的配色方案:使用有助于颜色可视化和比较的数字工具的教学经验

Carmen González García, Felicidad García-Sánchez, Juan Sebastián González Rodríguez
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引用次数: 0

摘要

色彩教学的目的是在可观察到的颜色和被创造出来的颜色之间创造一种联系,一种和谐的状态。这一目标体现在所采用的教学方法上。一方面,必须教授分析性观察,允许凝视区分不同深浅的颜色,组织光明和黑暗的层次,并评估色彩饱和度的微妙之处。另一方面,严格的配色指导必须确保可观察到的颜色,即期望的颜色,能够以直观和精确的方式接近。在这篇文章中,作者讨论了向学生艺术家教授色彩所面临的困难,以及如何使用数字工具来训练观察和分析色彩的概念。这些工具允许创建配色方案。在这里,作者根据萨拉曼卡大学学生在绘画入门课上获得的经验,讨论了如何应用这些工具。
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Color Schemes for Training Artists: Didactic Experience Using Digital Tools That Aid in Color Visualization and Comparison
The aim of the didactics of color is to create a connection, a state of harmony between the observable color and color which is created. This objective unfolds in the teaching methods employed. On one hand, analytical observation must be taught, allowing the gaze to distinguish different shades of color, to organize hierarchically levels of light and darkness and to evaluate subtleties in the saturation of hues. On the other hand, rigorous instruction in color mixing must ensure that the observable color, that is, the desired color, can be approached in an intuitive and precise way. In this article, the authors discuss the difficulties faced teaching color to student artists and how digital tools can be used for training the concept of observation and the analysis of color. These tools allow color schemes to be created. Here the authors discuss how these tools can be applied, based on the experience obtained in introductory painting classes involving students from the University of Salamanca.
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