之前Rupertsberg

H. Meconi
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引用次数: 0

摘要

本章介绍宾根的作曲家希尔德加德(1098-1179),他是一位博学的幻想家,是最多产的普通歌曲作曲家,也是第一部音乐“道德剧”的创造者。书中记述了她12岁时在迪西波登堡修道院与虔诚的施普海姆的朱塔一起生活的经历,她领导一个本笃会修女团体的经历,她在42岁时看到的令人震惊的景象迫使她开始在她的书中记录她的景象,以及她与忏悔师沃尔玛、克莱尔沃的圣伯纳德和教皇尤根尼乌斯三世的互动。另一个重要的愿景指示她和修女们离开迪西波登堡,在宾根对面的莱茵河上的鲁珀茨堡建立一个新的社区。
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Before Rupertsberg
This chapter introduces composer Hildegard of Bingen (1098-1179), a polymath visionary who was the most prolific composer of plainchant and creator of the first musical “morality play.” It traces her enclosure at the Disibodenberg monastery with the pious Jutta of Sponheim at the age of twelve, her leadership of a community of Benedictine nuns, the startling vision that compelled her to begin documenting her visions when she was forty-two in her book Scivias, and interactions with her confessor Volmar, St. Bernard of Clairvaux, and Pope Eugenius III. Another important vision instructed her to leave Disibodenberg with her nuns and create a new community at Rupertsberg, on the Rhine River across from Bingen.
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After Volmar Longer Genres Aftermath Liturgy and Shorter Genres New Creations
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