{"title":"大气图像:一种绘画技术的电影改编","authors":"Rosine Bénard","doi":"10.58282/colloques.3886","DOIUrl":null,"url":null,"abstract":"With the sfumato technique, Leonardo applied to his paintings a veil of smoke, giving the contours of landscapes, objects and characters,a blurred and indistinct appearance. Nowaday, filmmakers such as Nuri Bilge Ceylan or Theo Angelopoulos bring back to life the same poetics of \"natural blur\", incompletion and incompleteness.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’image atmosphérique : adaptation cinématographique d’une technique picturale\",\"authors\":\"Rosine Bénard\",\"doi\":\"10.58282/colloques.3886\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With the sfumato technique, Leonardo applied to his paintings a veil of smoke, giving the contours of landscapes, objects and characters,a blurred and indistinct appearance. Nowaday, filmmakers such as Nuri Bilge Ceylan or Theo Angelopoulos bring back to life the same poetics of \\\"natural blur\\\", incompletion and incompleteness.\",\"PeriodicalId\":350956,\"journal\":{\"name\":\"Circulations entre les arts. Interroger l'intersémioticité\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Circulations entre les arts. Interroger l'intersémioticité\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.58282/colloques.3886\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Circulations entre les arts. Interroger l'intersémioticité","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58282/colloques.3886","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
L’image atmosphérique : adaptation cinématographique d’une technique picturale
With the sfumato technique, Leonardo applied to his paintings a veil of smoke, giving the contours of landscapes, objects and characters,a blurred and indistinct appearance. Nowaday, filmmakers such as Nuri Bilge Ceylan or Theo Angelopoulos bring back to life the same poetics of "natural blur", incompletion and incompleteness.
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