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引用次数: 0
摘要
《影子的草稿》于1975年首次出版。这首长诗是帕斯追求个人天堂的心灵之旅。本文主要探讨帕兹在这首诗及其文学作品中所探讨的三个重要概念:语言的范围、记忆和他者性。就语言及其在诗歌中的表达而言,帕兹最雄辩的篇章可以在1956年的《琴弦》(the Bow and the Lyre)中找到,但尤其是在1970年的《猴子语法家》(the Monkey Grammarian)中,它通过语言和写作和阅读的行为描述了另一段旅程。《影子的草稿》是帕兹个人试图重现神话般的过去,既展现了墨西哥历史的宏大叙事,也展现了他个人对自己过去的复述。这样的旅程只有通过记忆的蜿蜒之路、它在语言中的表达,以及它沿着自己的轨迹所创造的身份,才能实现。
Paz’s A Draft of Shadows: Rewriting the Past, the Present and the Self
Pasado en Claro (A Draft of Shadows) was first published in 1975. This long poem is the mental journey Paz embarks upon in pursuit of his own personal paradise. This article focuses on three of important concepts Paz explores in this poem and in his literary output as a whole: the scope of language, memory and otherness. In the case of language, and its expression in poetry, Paz’s most eloquent pages can be found in The Bow and the Lyre (1956), but especially in The Monkey Grammarian (1970), the account of another journey, through language and the acts of writing and reading. As a personal attempt at regaining a mythical past, A Draft of Shadows affords a view of both the vast narrative of Mexican history and Paz’s personal retelling of his own past. A journey like this is only possible via the winding path of memory, its expression in language, and an identity created as it follows its own trail.