{"title":"印尼作家阿尤·尤塔米小说《曼加利与查克拉比拉瓦》中女巫卡伦·阿朗的政治神话","authors":"Alexandra. I. Luneva","doi":"10.21638/spbu13.2022.210","DOIUrl":null,"url":null,"abstract":"The article explores the novel Manjali and Cakrabirawa (2010) by one of the most outstanding modern Indonesian writers, Ayu Utami (born in 1968), whose philosophical and intellectual work marked the beginning of a new era in Indonesian literature. The novel was not translated into English and has not been the subject of research in Russia. Articles on the topic are few and only deal with themes of gender studies and feminism. This article provides an analysis of the interpretation of the plot-forming mythological layer of the novel. Utami boldly raises the topic of political repression through mythological optics, offers her own view on the construction of the image of a witch called Calon Arang, supposedly a political rival of a historical figure — Raja Airlangga (1000–1049), the ruler of the Javanese-Balinese state of Kediri (1042–1222). Calon Arang, nicknamed Rangda (“widow”), is a well-known character in folklore, the story has many versions. The relevance of the article is due to the paradox of the myth of Calon Arang: on the one hand, its characters and plot are well known to Indonesians (primarily Javanese and Balinese), but on the other hand, the myth remains poorly understood. Cultural-historical, comparative-typological and mythopoetic methods make it possible to analyze the mythological images in her novel “Manjali and Cakrabirava”, which is, as the events of the mythological plot of the 11th century, associated with political issues — the struggle for power and the demonization of the opponent.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Political Myth about the Witch Calon Arang in the Novel “Manjali and Chakrabirava” by the Indonesian Author Ayu Utami\",\"authors\":\"Alexandra. I. Luneva\",\"doi\":\"10.21638/spbu13.2022.210\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article explores the novel Manjali and Cakrabirawa (2010) by one of the most outstanding modern Indonesian writers, Ayu Utami (born in 1968), whose philosophical and intellectual work marked the beginning of a new era in Indonesian literature. The novel was not translated into English and has not been the subject of research in Russia. Articles on the topic are few and only deal with themes of gender studies and feminism. This article provides an analysis of the interpretation of the plot-forming mythological layer of the novel. Utami boldly raises the topic of political repression through mythological optics, offers her own view on the construction of the image of a witch called Calon Arang, supposedly a political rival of a historical figure — Raja Airlangga (1000–1049), the ruler of the Javanese-Balinese state of Kediri (1042–1222). Calon Arang, nicknamed Rangda (“widow”), is a well-known character in folklore, the story has many versions. The relevance of the article is due to the paradox of the myth of Calon Arang: on the one hand, its characters and plot are well known to Indonesians (primarily Javanese and Balinese), but on the other hand, the myth remains poorly understood. Cultural-historical, comparative-typological and mythopoetic methods make it possible to analyze the mythological images in her novel “Manjali and Cakrabirava”, which is, as the events of the mythological plot of the 11th century, associated with political issues — the struggle for power and the demonization of the opponent.\",\"PeriodicalId\":342908,\"journal\":{\"name\":\"Vestnik of Saint Petersburg University. Asian and African Studies\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik of Saint Petersburg University. Asian and African Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21638/spbu13.2022.210\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik of Saint Petersburg University. Asian and African Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/spbu13.2022.210","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了印度尼西亚最杰出的现代作家之一Ayu Utami(生于1968年)的小说《Manjali and Cakrabirawa》(2010),其哲学和智力作品标志着印度尼西亚文学新时代的开始。这部小说没有被翻译成英文,也没有成为俄罗斯的研究对象。关于这个话题的文章很少,而且只涉及性别研究和女权主义的主题。本文对小说中构成情节的神话层的解读进行了分析。乌塔米大胆地通过神话光学提出了政治压迫的话题,提出了她自己对一个名叫Calon Arang的女巫形象的建构的看法,她被认为是一个历史人物——拉贾·艾尔朗加(1000-1049)的政治对手,拉贾·艾尔朗加是爪哇-巴厘岛Kediri州的统治者(1042-1222)。Calon Arang,昵称Rangda(“寡妇”),是一个著名的民间传说人物,这个故事有很多版本。这篇文章的相关性是由于Calon Arang神话的悖论:一方面,它的人物和情节为印度尼西亚人(主要是爪哇人和巴厘人)所熟知,但另一方面,这个神话仍然知之甚少。文化史学、比较类型学和神话学的方法使得分析《曼伽利与喀克拉比拉瓦》中的神话形象成为可能,这些神话形象作为11世纪神话情节中的事件,与政治问题——权力斗争和对手的妖魔化——联系在一起。
Political Myth about the Witch Calon Arang in the Novel “Manjali and Chakrabirava” by the Indonesian Author Ayu Utami
The article explores the novel Manjali and Cakrabirawa (2010) by one of the most outstanding modern Indonesian writers, Ayu Utami (born in 1968), whose philosophical and intellectual work marked the beginning of a new era in Indonesian literature. The novel was not translated into English and has not been the subject of research in Russia. Articles on the topic are few and only deal with themes of gender studies and feminism. This article provides an analysis of the interpretation of the plot-forming mythological layer of the novel. Utami boldly raises the topic of political repression through mythological optics, offers her own view on the construction of the image of a witch called Calon Arang, supposedly a political rival of a historical figure — Raja Airlangga (1000–1049), the ruler of the Javanese-Balinese state of Kediri (1042–1222). Calon Arang, nicknamed Rangda (“widow”), is a well-known character in folklore, the story has many versions. The relevance of the article is due to the paradox of the myth of Calon Arang: on the one hand, its characters and plot are well known to Indonesians (primarily Javanese and Balinese), but on the other hand, the myth remains poorly understood. Cultural-historical, comparative-typological and mythopoetic methods make it possible to analyze the mythological images in her novel “Manjali and Cakrabirava”, which is, as the events of the mythological plot of the 11th century, associated with political issues — the struggle for power and the demonization of the opponent.