{"title":"进入泛非女性人文主义:解开尤娜·马森和迪翁·布兰德诗歌中的元殖民主义","authors":"B. Wallace","doi":"10.5406/WOMGENFAMCOL.4.2.0222","DOIUrl":null,"url":null,"abstract":"Abstract:This essay places the poetry of Una Marson (Jamaica) in conversation with that of Dionne Brand (Trinidad and Tobago) in order to revisit and explore the importance of Pan-Africanism in the Caribbean imagination. More precisely, it examines the role of Pan-African feminist humanisms in Caribbean women’s poetry as a means to demonstrate how the creative can bring forth a different understanding and a rearticulation of subjectivity, discourse, belonging, and power beyond the rigid limitations imposed by Western epistemologies.","PeriodicalId":223911,"journal":{"name":"Women, Gender, and Families of Color","volume":"58 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Accessing Pan-African Feminist Humanism: Unlocking the Metacolonial in the Poetry of Una Marson and Dionne Brand\",\"authors\":\"B. Wallace\",\"doi\":\"10.5406/WOMGENFAMCOL.4.2.0222\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay places the poetry of Una Marson (Jamaica) in conversation with that of Dionne Brand (Trinidad and Tobago) in order to revisit and explore the importance of Pan-Africanism in the Caribbean imagination. More precisely, it examines the role of Pan-African feminist humanisms in Caribbean women’s poetry as a means to demonstrate how the creative can bring forth a different understanding and a rearticulation of subjectivity, discourse, belonging, and power beyond the rigid limitations imposed by Western epistemologies.\",\"PeriodicalId\":223911,\"journal\":{\"name\":\"Women, Gender, and Families of Color\",\"volume\":\"58 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-09-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Women, Gender, and Families of Color\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/WOMGENFAMCOL.4.2.0222\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women, Gender, and Families of Color","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/WOMGENFAMCOL.4.2.0222","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Accessing Pan-African Feminist Humanism: Unlocking the Metacolonial in the Poetry of Una Marson and Dionne Brand
Abstract:This essay places the poetry of Una Marson (Jamaica) in conversation with that of Dionne Brand (Trinidad and Tobago) in order to revisit and explore the importance of Pan-Africanism in the Caribbean imagination. More precisely, it examines the role of Pan-African feminist humanisms in Caribbean women’s poetry as a means to demonstrate how the creative can bring forth a different understanding and a rearticulation of subjectivity, discourse, belonging, and power beyond the rigid limitations imposed by Western epistemologies.
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