{"title":"algorithm of Tang&Song’Ci(唐宋词) wave formation","authors":"Byung-hye Hong","doi":"10.54913/hn.2022.3.1.51","DOIUrl":null,"url":null,"abstract":"Now Ci’literature(詞文學) of Chinese lose one’s musicality. But, we can’t understand the tune, it is also worthwhile to consider only the lyrics. It’s only the lyrics, but it’s the most emotional literature in China. \nCi’literature started with a Huajian’Ci(花間詞). And, from this on, it was developed without any hesitation by mass-producing various aspects. But, while overlooking Ci’s habitually separates it into a lake wave(婉約派) and a complete wave(豪放派). Dichotomy is not systematic and less persuasive. The attitude to reveal Ci’literature with a lake wave and a complete wave is vague and far-fetched. \nTo understand Tang&Song’Ci(唐宋詞) well, we must accurately understand the formation of the wave and its organic relationship. For this, this study started to solve the problem and the formation of the wave. \nThis will be an opportunity to provide a reasonable clue to the error that simply separates Tang&Song’Ci into a lake wave and a complete wave. In addition, it will be an opportunity to urge scholars who study Ci’literature to continue to collaborate.","PeriodicalId":337904,"journal":{"name":"The Korean Society of Human and Nature","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"algorithm of Tang&Song’Ci(唐宋詞) wave formation\",\"authors\":\"Byung-hye Hong\",\"doi\":\"10.54913/hn.2022.3.1.51\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Now Ci’literature(詞文學) of Chinese lose one’s musicality. But, we can’t understand the tune, it is also worthwhile to consider only the lyrics. It’s only the lyrics, but it’s the most emotional literature in China. \\nCi’literature started with a Huajian’Ci(花間詞). And, from this on, it was developed without any hesitation by mass-producing various aspects. But, while overlooking Ci’s habitually separates it into a lake wave(婉約派) and a complete wave(豪放派). Dichotomy is not systematic and less persuasive. The attitude to reveal Ci’literature with a lake wave and a complete wave is vague and far-fetched. \\nTo understand Tang&Song’Ci(唐宋詞) well, we must accurately understand the formation of the wave and its organic relationship. For this, this study started to solve the problem and the formation of the wave. \\nThis will be an opportunity to provide a reasonable clue to the error that simply separates Tang&Song’Ci into a lake wave and a complete wave. In addition, it will be an opportunity to urge scholars who study Ci’literature to continue to collaborate.\",\"PeriodicalId\":337904,\"journal\":{\"name\":\"The Korean Society of Human and Nature\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Korean Society of Human and Nature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54913/hn.2022.3.1.51\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Korean Society of Human and Nature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54913/hn.2022.3.1.51","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Now Ci’literature(詞文學) of Chinese lose one’s musicality. But, we can’t understand the tune, it is also worthwhile to consider only the lyrics. It’s only the lyrics, but it’s the most emotional literature in China.
Ci’literature started with a Huajian’Ci(花間詞). And, from this on, it was developed without any hesitation by mass-producing various aspects. But, while overlooking Ci’s habitually separates it into a lake wave(婉約派) and a complete wave(豪放派). Dichotomy is not systematic and less persuasive. The attitude to reveal Ci’literature with a lake wave and a complete wave is vague and far-fetched.
To understand Tang&Song’Ci(唐宋詞) well, we must accurately understand the formation of the wave and its organic relationship. For this, this study started to solve the problem and the formation of the wave.
This will be an opportunity to provide a reasonable clue to the error that simply separates Tang&Song’Ci into a lake wave and a complete wave. In addition, it will be an opportunity to urge scholars who study Ci’literature to continue to collaborate.