从漫画分镜到3D动画:浅谈电脑动画的视觉构图

Yu-Ching Chang, Shu-Wei Chang
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引用次数: 1

摘要

通过帧来讲述故事是动画的主要思想。因此,每一帧和每一个剪辑的视觉构成都是非常重要的。也就是说,不仅物体在空间中的排列和组织,而且摄像机的运动对动画也很重要。设计适当的视觉构图可以提高观众的参与度和刺激,以及讲述一个更好的故事。本研究的重点是三维计算机动画中的动画,也称为预可视化,它是所有草稿帧和剪切的决策点。动画通常被认为是整体画面的缩影。本研究通过分析动画在漫画分镜中的传统用法,试图探讨动画与漫画分镜的关系,并找出电脑动画中视觉构图的规律和模式。
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From Comic Storyboard to 3D Animatic: Discussing the Visual Composition in Computer Animation
Telling stories by frames is the main idea of animation. Therefore, the visual composition of each frame and each cut are very important. That is, not only the arrangement and organization of objects in space but also the camera movement is significant to animation. Designing appropriate visual composition can enhance audience engagement and stimulation as well as telling a better story.This research focuses on the animatic in 3D computer animation, also known as the pre-visualization, which is the decision-making point of all the draft frames and cuts. The animatic is generally regarded as the miniature of the whole picture. By way of analyzing the animatic based on the traditional usage in the comic storyboard, this research tries to discuss the relationship between animatic and comic storyboard, also find out the rules and patterns of visual composition in computer animation.
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