{"title":"由Do Ho Suh带领的家庭空间之旅:无论如何都要保持记忆的活力","authors":"R. García","doi":"10.14198/i2.2020.2.04","DOIUrl":null,"url":null,"abstract":"Through Do Ho Suh’s installations, in which the artist recreates the houses where he has lived, we reflect on the domestic space. Touring each of its rooms and observing its objects and its marks, we also pierce his memory, remembering every detail of ours. Thinking on the material part and the artistic framework that envelops the pieces, we go deeper into the immaterial that embraces our homes and move forward through a series of problems that we find around them. We want to think about home as a protective refuge, but this is not always the case. Suh’s homes are made up of thin glazes, of a series of layers that overlap with multiple readings about the space we inhabit and, with it, about ourselves.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"52 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Un recorrido por el espacio doméstico de la mano de Do Ho Suh: Mantener vivos los recuerdos a pesar de todo\",\"authors\":\"R. García\",\"doi\":\"10.14198/i2.2020.2.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Through Do Ho Suh’s installations, in which the artist recreates the houses where he has lived, we reflect on the domestic space. Touring each of its rooms and observing its objects and its marks, we also pierce his memory, remembering every detail of ours. Thinking on the material part and the artistic framework that envelops the pieces, we go deeper into the immaterial that embraces our homes and move forward through a series of problems that we find around them. We want to think about home as a protective refuge, but this is not always the case. Suh’s homes are made up of thin glazes, of a series of layers that overlap with multiple readings about the space we inhabit and, with it, about ourselves.\",\"PeriodicalId\":298878,\"journal\":{\"name\":\"[i2]: Investigación e Innovación en Arquitectura y Territorio\",\"volume\":\"52 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"[i2]: Investigación e Innovación en Arquitectura y Territorio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14198/i2.2020.2.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"[i2]: Investigación e Innovación en Arquitectura y Territorio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14198/i2.2020.2.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
通过徐道浩(Do Ho Suh)的装置作品,艺术家再现了他曾经居住过的房屋,我们反思了家庭空间。参观他的每一个房间,观察他的物品和标记,我们也能穿透他的记忆,记住我们的每一个细节。考虑到材料部分和包裹着这些作品的艺术框架,我们深入到包含我们家园的非物质部分,并通过我们在它们周围发现的一系列问题向前发展。我们想把家看作是一个保护性的避难所,但事实并非总是如此。Suh的住宅由薄玻璃组成,一系列的层重叠在一起,与我们居住的空间和我们自己的多重解读相重叠。
Un recorrido por el espacio doméstico de la mano de Do Ho Suh: Mantener vivos los recuerdos a pesar de todo
Through Do Ho Suh’s installations, in which the artist recreates the houses where he has lived, we reflect on the domestic space. Touring each of its rooms and observing its objects and its marks, we also pierce his memory, remembering every detail of ours. Thinking on the material part and the artistic framework that envelops the pieces, we go deeper into the immaterial that embraces our homes and move forward through a series of problems that we find around them. We want to think about home as a protective refuge, but this is not always the case. Suh’s homes are made up of thin glazes, of a series of layers that overlap with multiple readings about the space we inhabit and, with it, about ourselves.