{"title":"第一章“Señor(洋基力量的故事)”:鲍勃·迪伦的存在主义和宗教世界的窗口","authors":"Reidar Aasgaard","doi":"10.23865/noasp.74.ch1","DOIUrl":null,"url":null,"abstract":"“Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the setting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration leading to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and personal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general.","PeriodicalId":370963,"journal":{"name":"A God of Time and Space","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"CHAPTER 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World\",\"authors\":\"Reidar Aasgaard\",\"doi\":\"10.23865/noasp.74.ch1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the setting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration leading to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and personal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general.\",\"PeriodicalId\":370963,\"journal\":{\"name\":\"A God of Time and Space\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"A God of Time and Space\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.23865/noasp.74.ch1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"A God of Time and Space","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23865/noasp.74.ch1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
《Señor (Tales of Yankee Power)》是鲍勃·迪伦1978年发行的专辑《Street-Legal》的中心歌曲,这是在他皈依基督教的经历和1979-1981年所谓的基督教专辑三部曲之前不久。这首歌以半真实半神话的风景为背景,描述了一个I-figure,歌手和他的旅伴,一个神秘的,沉默的“señor”之间的相遇,歌手经历了一个越来越沮丧的过程,导致了一种存在的绝望状态。本文对歌词进行了细致的叙事性解读,并在专辑的背景下分析了这首歌,分析了迪伦宗教语言的发展,分析了他从1978年到2011年对这首歌的表演,以及他自己对这首歌的评论。主要结论是,“Señor”可以有不同的解读方式,但宗教,尤其是基督教,在各种解读中扮演着重要而不可或缺的角色。这首歌反映了迪伦当时的艺术和个人状况,也预示了他的皈依经历,但同时也属于迪伦从20世纪60年代到今天的漫长的歌曲轨迹,这些歌曲涉及与历史、社会、社会关系、宗教和生活有关的基本人类主题。
CHAPTER 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World
“Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the setting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration leading to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and personal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general.