Neketa的麻烦:戏剧作为早期儿童专业培训计划的一种力量

M. Semple-McBean, Allan Creighton
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摘要

儿童的克里奥尔语或母语通常在圭亚那的幼儿环境中被拒绝。这种拒绝儿童母语的做法违背了联合国《儿童权利公约》提倡发展和尊重儿童语言的原则。更重要的是,这种做法与发育适宜的早期儿童学习经验相矛盾,这种经验表明,儿童的母语可能是早期互动的最佳媒介。实证研究将这一问题归因于缺乏对克里奥尔语的社会语言学知识和有限的教学培训[10]。根据这一发现,2010年,圭亚那大学在引入第一个幼儿专业发展培训项目时,有意尝试提高人们对克里奥尔语的接受和欣赏程度。本研究报告探讨了培训计划对参与者与讲圭亚那克里奥尔语的儿童互动经验的影响。它强调了参与者对语言接受原则的了解如何影响他们对克里奥尔语作为一种合法说话方式的认识,并推荐了在实践中影响变化所必需的关键特征。在对这一影响的分析中,本文特别注意将戏剧表演引入该计划的内容和交付。它试图评价戏剧表演对圭亚那大学方案的学生来说是一次崇高的经历,表明戏剧表演在多大程度上改变了他们的意识,使他们认识到在专业实践中对第一语言承认持开明态度的重要性。
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The Trouble with Neketa: Drama as a Force in Early Childhood Professional Training Programmes
Children’s Creole language or mother tongue is usually rejected in Early Childhood settings in Guyana. This practice of rejecting children’s home language breaches the UN Convention of the Rights of the Child which promotes the principle of development of and respect for the children’s language. More significantly, this practice contradicts developmentally appropriate early childhood learning experiences which dictates that children’s home language is probably the best medium for early interactions. Empirical study has attributed this problem to lack of sociolinguistic knowledge of Creole and limited pedagogical training [1]. In light of this finding, in 2010, the University of Guyana made a deliberate attempt to advance knowledge about Creole acceptance and appreciation when the first early childhood professional development training programme was introduced. This research paper examines the impact the training programme made on participants’ interaction experiences with Guyanese Creole speaking children. It highlights how participants’ knowledge of language acceptance principles influences their recognition of Creole as a legitimate way of speaking, and recommends key characteristics considered necessary for effecting changes in practice. In its analysis of this impact, the paper pays particular attention to the introduction of a dramatic play into the content and delivery of the programme. It attempts an assessment of the dramatisation as a sublime experience for the students in the University of Guyana programme, suggesting the extent to which it was able to effect change in their consciousness and their awareness of the importance of enlightened attitudes to first language recognition in their professional practice.
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