厄尔·勒夫莱斯作品中对身份的追求与文化的重新定位

Adelokun Adetunji Oluwapelumi
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摘要

本文试图对勒夫莱斯的全部作品进行粗略而批判性的考察。厄尔·洛夫莱斯对加勒比文学传统的影响怎么强调都不为过。他的创作作品反映了寻找身份和自我改造的主题。在与帝国主义力量互动之前,加勒比人民的文化和传统生活在厄尔·洛夫莱斯的创造性产出中得到了强调。本文分析了这位来自加勒比文学传统的广受好评的作家的文学技巧和创造性想象力。加勒比文学传统以反映加勒比人民的社会文化历史和现实而闻名。该地区文学文献的核心在于对身份的长期追求,以及对加勒比历史所涉及的现实的努力。Earl Lovelace通过他的作品呈现了这些主题关注的不同方面。这篇论文的结论是,厄尔·洛夫莱斯的作品放大了他对身份追求的把握,而身份是加勒比海存在的前提。他的作品反映了独立后加勒比地区的历史、政治、文化和传统
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Quest for Identity and Cultural Reclamation and Realignment in Earl Lovelace’s Oeuvre
This paper is an attempt to conduct a cursory but critical investigation into Earl Lovelace’s oeuvre. Earl Lovelace’s impact in the Caribbean literary tradition cannot be overemphasized. His creative pieces reflects the motif of search for identity and self-reclamation. The cultural and traditional lives of the Caribbean people before the interaction with imperialistic power is emphasized in the creative outputs of Earl Lovelace. This paper analyses the literary deftness and creative imagination of the critically acclaimed writer from the Caribbean literary tradition. The Caribbean literary tradition is renowned for its reflection of the socio-cultural history and reality of the Caribbean people. The core of literary documentations from this region hinges on the perennial search for identity and grappling with the reality that the Caribbean history is all about. Earl Lovelace presents different facets of these thematic preoccupations through his oeuvre. The paper concludes that Earl Lovelace’s works amplifies his grasp of the quest for identity on which the Caribbean existence is premised. His works reflect the history, politics, culture, and tradition of the post-independence Caribbean milieu
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