类型、压迫和宇宙恐怖:洛夫克拉夫特的《Dunwich horror》中拉维尼娅·惠特利的角色塑造

João Claudio Arendt, Roberto Rossi Menegotto
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摘要

在h·p·洛夫克拉夫特的宇宙恐怖小说《敦威奇恐怖》中,我们可以看到拉维尼娅·沃特利所遭受的压迫,这是她的父亲老沃特利和她的儿子威尔伯·沃特利强加给她的。拉维尼娅是一名患有白化病和畸形的女性,她被剥夺了社会平等的权利,被操纵接受了一种基于对可怕怪物崇拜的宗教,并被她的父亲提议为尤格-索托特的后代受孕。鉴于上述问题,本文的目的是分析构成女性和男性性别差异的三种语境的符号,以突出拉维尼娅·惠特利的负面塑造。我们的理论框架包括以下作者:Gilbert Durand (1995;1998;2002),让·谢瓦利埃和阿兰·格布兰特(2017),h·p·洛夫克拉夫特(2007),米歇尔·佩罗(1991);皮埃尔·布迪厄(2012)和西蒙娜·德·波伏娃(1980a);1980 b)。
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Gênero, opressão e horror cósmico: a caracterização de Lavinia Whateley em O horror de Dunwich, de H. P. Lovecraft
In The Dunwich horror, cosmic horror novel by H. P. Lovecraft, we can notice the opression suffered by Lavinia Whateley, imposed by her father, Old Whateley, and her son, Wilbur Whateley. Female, albino and deformed, Lavinia is deprived of social equality, manipulated to accept a religion based on adoration of horrifying monsters, and offered, by her own father, to gestate Yog-Sothoth’s offspring. In view of the issues mentioned above, the purpose of this article is to analyze the symbols that structure three contexts in which the disparity, between female and male genders, is evidenced, so as to highlight Lavinia Whateley’s negative characterization. Our theoretical framework consists of authors such as Gilbert Durand (1995; 1998; 2002), Jean Chevalier and Alain Gheerbrant (2017), H. P. Lovecraft (2007), Michelle Perrot (1991a; 1991b), Pierre Bourdieu (2012) and Simone de Beauvoir (1980a; 1980b).
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