Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190029
Marlene Soares dos Santos
Shakespearean criticism has mainly focused on the study of his characters and their stories, mainly ignoring the places where the plots occur. Yet, in the Elizabethan and Jacobean eras the world frontiers, already altered due to medieval travellers’ books, expanded enormously owing to the sea voyages, imposing another cartography on the globe. The theatre, in an age lacking means of information, spread the news regarding the new lands which began to appear on the stage. This essay discusses how the contemporary geography influenced Shakespeare shown in the language of some comedies; as to the tragedies, which occur in the distant past, he incorporated the geographic expansion into his creative process resulting in memorable dramatic spaces and other possibilities of reading.
{"title":"De Roma a Verona: espaços trágicos shakespearianos","authors":"Marlene Soares dos Santos","doi":"10.5935/1679-5520.20190029","DOIUrl":"https://doi.org/10.5935/1679-5520.20190029","url":null,"abstract":"Shakespearean criticism has mainly focused on the study of his characters and their stories, mainly ignoring the places where the plots occur. Yet, in the Elizabethan and Jacobean eras the world frontiers, already altered due to medieval travellers’ books, expanded enormously owing to the sea voyages, imposing another cartography on the globe. The theatre, in an age lacking means of information, spread the news regarding the new lands which began to appear on the stage. This essay discusses how the contemporary geography influenced Shakespeare shown in the language of some comedies; as to the tragedies, which occur in the distant past, he incorporated the geographic expansion into his creative process resulting in memorable dramatic spaces and other possibilities of reading.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131296613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190038
M. R. Becker
{"title":"Experiences at the Royal Shakespeare Company (RSC) Education Department","authors":"M. R. Becker","doi":"10.5935/1679-5520.20190038","DOIUrl":"https://doi.org/10.5935/1679-5520.20190038","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115450346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190015
M. F. Lima, Eliane Basilio de Oliveira
Thirty-five years separate the publications of Machado de Assis’ Dom Casmurro from Graciliano Ramos’ S. Bernardo. Despite the distance in time, these novels denounce the same rigid model of female representation which conceives the woman as subordinate to the will of man. Due to their behavior, Capitu and Madalena are rejected by the authoritarian speech of their husbands-narrators. The objective of this article is to show how these two novels question this macho model, as they attribute great importance to the two female characters.
Machado de Assis的《Dom Casmurro》和Graciliano Ramos的《S. Bernardo》的出版间隔了35年。尽管时间遥远，但这些小说都谴责了同样刻板的女性表现模式，这种模式认为女性服从于男性的意志。由于她们的行为，Capitu和Madalena被她们的丈夫——叙述者的专制言论所排斥。这篇文章的目的是展示这两部小说是如何质疑这种大男子主义模式的，因为他们认为这两个女性角色非常重要。
{"title":"“O senhor conhece a mulher que possui”: dominação masculina em Dom Casmurro e S. Bernardo","authors":"M. F. Lima, Eliane Basilio de Oliveira","doi":"10.5935/1679-5520.20190015","DOIUrl":"https://doi.org/10.5935/1679-5520.20190015","url":null,"abstract":"Thirty-five years separate the publications of Machado de Assis’ Dom Casmurro from Graciliano Ramos’ S. Bernardo. Despite the distance in time, these novels denounce the same rigid model of female representation which conceives the woman as subordinate to the will of man. Due to their behavior, Capitu and Madalena are rejected by the authoritarian speech of their husbands-narrators. The objective of this article is to show how these two novels question this macho model, as they attribute great importance to the two female characters.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114658828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190045
E. Silva
O conceito de autoficção ainda não chegou a uma forma que possibilite delimitar exatamente quais obras literárias podem ser identificadas como tal. Há uma oscilação no conceito, que vai da forma original, bem delimitada, a desdobramentos que têm se tornado cada vez mais inclusivos. O que se sabe é que se trata de uma modalidade literária, e não de um gênero, caracterizado pela mistura de elementos autobiográficos, reais, e ficcionais, produtos do imaginário, no mesmo texto, de modo que ambos permaneçam indiscerníveis a partir da configuração estética. O elemento que torna reconhecível toda obra autoficcional é a natureza do pacto de leitura, que é ambíguo, e tem nessa ambiguidade uma intencionalidade que preside à elaboração e deve ser percebida, necessariamente, pelo leitor.
{"title":"O que é autoficção? Scripta Uniandrade","authors":"E. Silva","doi":"10.5935/1679-5520.20190045","DOIUrl":"https://doi.org/10.5935/1679-5520.20190045","url":null,"abstract":"O conceito de autoficção ainda não chegou a uma forma que possibilite delimitar exatamente quais obras literárias podem ser identificadas como tal. Há uma oscilação no conceito, que vai da forma original, bem delimitada, a desdobramentos que têm se tornado cada vez mais inclusivos. O que se sabe é que se trata de uma modalidade literária, e não de um gênero, caracterizado pela mistura de elementos autobiográficos, reais, e ficcionais, produtos do imaginário, no mesmo texto, de modo que ambos permaneçam indiscerníveis a partir da configuração estética. O elemento que torna reconhecível toda obra autoficcional é a natureza do pacto de leitura, que é ambíguo, e tem nessa ambiguidade uma intencionalidade que preside à elaboração e deve ser percebida, necessariamente, pelo leitor.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129605982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190016
Analice de Sousa Gomes, Renata Rocha Ribeiro
{"title":"Subversão do poder e a representação da mulher: desconstrução da submissão feminina em romances de José J. Veiga","authors":"Analice de Sousa Gomes, Renata Rocha Ribeiro","doi":"10.5935/1679-5520.20190016","DOIUrl":"https://doi.org/10.5935/1679-5520.20190016","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"250 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121213345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190005
G. D. F. Ferreira, Marcela Gizeli Batalini
The short-stories “The thing around your neck” and “Jumping Monkey Hill”, both by Chimamanda Ngozi Adichie, are analyzed concerning representations of the African continent, as well black characters, especially the woman, that break with cultural and static patterns in the field of literature. The theoretical basis is provided by Cultural Studies, more specifically Postcolonialism and Feminism, by authors as: Brah (2002), Davis (2017), and Spivak (2010). We can understand, in general, that the perception about the African continent and its inhabitants continues to be ruled by binarism and is stereotyped. Therefore, studies that shed light on such issues, focussing on the multiplicity present in these spaces, as well as on feminine identity become relevant.
{"title":"Representações do continente africano e da mulher negra nos contos “No seu pescoço” e “Jumping Monkey Hill”, de Chimamanda Ngozi Adichie","authors":"G. D. F. Ferreira, Marcela Gizeli Batalini","doi":"10.5935/1679-5520.20190005","DOIUrl":"https://doi.org/10.5935/1679-5520.20190005","url":null,"abstract":"The short-stories “The thing around your neck” and “Jumping Monkey Hill”, both by Chimamanda Ngozi Adichie, are analyzed concerning representations of the African continent, as well black characters, especially the woman, that break with cultural and static patterns in the field of literature. The theoretical basis is provided by Cultural Studies, more specifically Postcolonialism and Feminism, by authors as: Brah (2002), Davis (2017), and Spivak (2010). We can understand, in general, that the perception about the African continent and its inhabitants continues to be ruled by binarism and is stereotyped. Therefore, studies that shed light on such issues, focussing on the multiplicity present in these spaces, as well as on feminine identity become relevant.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"348 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122717282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190027
P. Sandrini, Angela Maria Rubel Fanini
{"title":"O que é polifonia? Uma perspectiva ética e política","authors":"P. Sandrini, Angela Maria Rubel Fanini","doi":"10.5935/1679-5520.20190027","DOIUrl":"https://doi.org/10.5935/1679-5520.20190027","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"209 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125808961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190023
Luciane De Lima Paim, Patrini Viero Ferreira, R. Umbach
Conceição Evaristo is an exemplary author of Afro-Brazilian literature and can be considered one of the greatest representatives of this genre within the country. His books deal with excluded and marginalized minorities, bringing to focus life experiences of discriminated individuals, who face prejudice, inequalities and extreme situations every day. Taking into account the importance of this theme and the works of the author as a whole, this article aims to recognize how the concepts of identity and memory are related in Memory Alleys (2006), contributing in the construction of characters and plot. As concerns the theoretical apparatus, we selected critical perspectives by Candau, Hall, Todorov, Pêcheux and Le Goff. As a result, we came to the conclusion that memory and identity are key concepts for the formulation and understanding not only of Memory Alleys’s narrative but also of its characters, the choices they make and the directions they take.
{"title":"Nos becos da memória: a relação entre memória, identidade e escrita na obra de Conceição Evaristo","authors":"Luciane De Lima Paim, Patrini Viero Ferreira, R. Umbach","doi":"10.5935/1679-5520.20190023","DOIUrl":"https://doi.org/10.5935/1679-5520.20190023","url":null,"abstract":"Conceição Evaristo is an exemplary author of Afro-Brazilian literature and can be considered one of the greatest representatives of this genre within the country. His books deal with excluded and marginalized minorities, bringing to focus life experiences of discriminated individuals, who face prejudice, inequalities and extreme situations every day. Taking into account the importance of this theme and the works of the author as a whole, this article aims to recognize how the concepts of identity and memory are related in Memory Alleys (2006), contributing in the construction of characters and plot. As concerns the theoretical apparatus, we selected critical perspectives by Candau, Hall, Todorov, Pêcheux and Le Goff. As a result, we came to the conclusion that memory and identity are key concepts for the formulation and understanding not only of Memory Alleys’s narrative but also of its characters, the choices they make and the directions they take.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128035797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190019
Jéssica Antunes Ferrara, S. Carrizo
RESUMO: O presente artigo objetiva discutir a figuração da violência de gênero na obra Como se estivéssemos em palimpsesto de putas (2016), de Elvira Vigna. Será dado foco à expressão menos observável dessa violência, a saber, a violência moral ou psicológica, que se apresenta de maneira estruturada e naturalizada em nossa sociedade. Com base nas postulações teóricas de Rita Laura Segato (2003), pretendese efetuar um diálogo entre literatura e sociedade, de modo que se possam compreender as estruturas hierárquicas que regulam os sujeitos e como tais estruturas aparecem no texto literário. Para além disso, procura-se destacar na obra a rearticulação das afetividades que se apresenta enquanto alternativa ao chamado sistema de status.
{"title":"Palimpsesto de agressões cotidianas: a estrutura da violência de gênero em Elvira Vigna","authors":"Jéssica Antunes Ferrara, S. Carrizo","doi":"10.5935/1679-5520.20190019","DOIUrl":"https://doi.org/10.5935/1679-5520.20190019","url":null,"abstract":"RESUMO: O presente artigo objetiva discutir a figuração da violência de gênero na obra Como se estivéssemos em palimpsesto de putas (2016), de Elvira Vigna. Será dado foco à expressão menos observável dessa violência, a saber, a violência moral ou psicológica, que se apresenta de maneira estruturada e naturalizada em nossa sociedade. Com base nas postulações teóricas de Rita Laura Segato (2003), pretendese efetuar um diálogo entre literatura e sociedade, de modo que se possam compreender as estruturas hierárquicas que regulam os sujeitos e como tais estruturas aparecem no texto literário. Para além disso, procura-se destacar na obra a rearticulação das afetividades que se apresenta enquanto alternativa ao chamado sistema de status.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127315754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190042
R. Fina, S. Vieira
{"title":"Uma performance do corpo — cair para dentro do instinto humano","authors":"R. Fina, S. Vieira","doi":"10.5935/1679-5520.20190042","DOIUrl":"https://doi.org/10.5935/1679-5520.20190042","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133741117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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