{"title":"当代法国文学中的电影参考:记忆作为符号间的十字路口","authors":"Fabien Gris","doi":"10.58282/colloques.3937","DOIUrl":null,"url":null,"abstract":"In French contemporary literature, which is characterized by referential use, the hypothesis of a relation between literature and cinema appears through memory. The reference to cinema in literary texts conveys visual memory, opening up words to images, without these images to be really present in the texts. This shared cinematographic memory thus creates a connivance between writer and reader, which is built around culturally determined mental images.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"16 11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"La référence cinématographique dans la littérature contemporaine française : la mémoire comme carrefour intersémiotique\",\"authors\":\"Fabien Gris\",\"doi\":\"10.58282/colloques.3937\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In French contemporary literature, which is characterized by referential use, the hypothesis of a relation between literature and cinema appears through memory. The reference to cinema in literary texts conveys visual memory, opening up words to images, without these images to be really present in the texts. This shared cinematographic memory thus creates a connivance between writer and reader, which is built around culturally determined mental images.\",\"PeriodicalId\":350956,\"journal\":{\"name\":\"Circulations entre les arts. Interroger l'intersémioticité\",\"volume\":\"16 11 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Circulations entre les arts. Interroger l'intersémioticité\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.58282/colloques.3937\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Circulations entre les arts. Interroger l'intersémioticité","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58282/colloques.3937","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
La référence cinématographique dans la littérature contemporaine française : la mémoire comme carrefour intersémiotique
In French contemporary literature, which is characterized by referential use, the hypothesis of a relation between literature and cinema appears through memory. The reference to cinema in literary texts conveys visual memory, opening up words to images, without these images to be really present in the texts. This shared cinematographic memory thus creates a connivance between writer and reader, which is built around culturally determined mental images.