重复作为诗文的一种表达方式

M. Ivanchenko
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摘要

美国诗人兼作家埃德加·爱伦·坡的作品引起了全世界文学学者和翻译家的极大兴趣。他对世界文学的贡献是毋庸置疑的;他的思想至今仍影响着世界文化。世界文学的标志性人物,一系列新体裁的创始人,美国第一个职业作家,一个将诗歌天才与数学和谐不可思议地结合在一起的大师,一个在无意识迷宫中徘徊的逻辑骑士,一个他的作品几乎不占同时代人的时间,却将永远留在后人的记忆中。坡在死后才获得世界的声誉和认可,这让人们误以为他是一位多产的作家。与此同时,他写了不少东西。阿宝的诗经包括五十多首作品,其中我们只发现了两首相对较长的诗——《塔梅尔兰》和《阿阿拉夫》。其余的都是相对较小的不同教派的抒情诗。托马斯·艾略特曾经说过,埃德加·爱伦·坡的所有诗歌作品中,“真正成功的只有六部。”然而,世界上没有一首诗,没有一首诗比这几首诗有更广泛的读书圈,并在人们的记忆中如此牢固地扎根。他的《作曲哲学》(1846)证实,在他的诗歌中,当创造意象和诗歌作品的整个艺术结构时,爱伦·坡不是从小说中出发,而是以现实为基础,从理论上证实了对生活之美的浪漫表达的需要。他一直坚持的一个主要的美学论点是:“如果第一句话不能达到单一的效果,那就意味着作家从一开始就失败了。”根据他的意见,在整个作品中,不应该有一个词不直接或间接地导致一个单一的目的设想。所以,仔细而巧妙地,最后,一幅画被创造出来了
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REPEATITION AS A STYLISTIC DEVICE OF EXPRESSION IN E. PO POETIC SPEECH
INTRODUCTION The work of the American poet and writer Edgar Allan Poe is of great interest to literary scholars and translators around the world. His contribution to world literature is unquestionable; his ideas still influence world culture. The iconic figure of world literature, the series of new genres founder, the first professional writer of America, a master who incomprehensibly combined poetic genius and mathematical harmony, a knight of logic, wandering in the labyrinths of the unconscious, a man whose work occupied little contemporaries and will forever remain in the memory of his descendants. World fame and recognition, which Poe received, alas, already after death, give rise to a misleading view of him as a prolific author. Meanwhile, he wrote quite a bit. The poetic canon of Po includes a little more than fifty works, among which we find only two relatively long poems – “Tamerlan” and “Al Aaraaf”. The rest are relatively small lyric poems of various denominations. Thomas Eliot once remarked that of all the poetic works of Edgar Allan Poe, “only half a dozen were truly successful. However, not a single poem, not a single poem in the world had a wider circle of readers and settled so firmly in people’s memory than these few poems by Po” 1 . His “Philosophy of Composition” (1846) confirms that in his poetry, when creating images and the entire artistic structure of the poetic work, E. Poe proceeded not from fiction, but based on reality, theoretically substantiating the need for a romantic expression of the beauty of life. One of the main aesthetic theses, which he constantly adhered E. Po to is the statement that: “If the first phrase does not contribute to the achievement of a single effect, it means that the writer failed from the very beginning. According to his opinion there should not be a single word in the entire work that would not directly or indirectly lead to a single purpose conceived. So, carefully and skillfully, finally, a picture is created
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