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SOME CRITERIA OF A LEXICAL QUANTOR TYPOLOGY 词汇量词类型学的一些标准
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/37-53
V. Bialyk
INTRODUCTION The modern stage of the development of cognitive science is marked by linguists’ interest in the issues of language knowledge representation in terms of language means, where language is viewed as a sign system. Human cognition is the subject-matter of cognitive linguistics, the latter being treated as interaction of the systems of perception, presenting, and producing information in a word. This fact requires introducing a new term which could serve the purposes of cognitive terminology standardization. In the research under consideration we introduce such a term known as a lexical quantor (LQ). LQ is viewed as a nominative meaningful informative semiotic unit in the sphere of communication transferring a certain quantum of relevant information/knowledge about the surrounding world in the process of its cognition functioning at the same time as an operator of language world view (LWV). Thus, the information factor (quantum of information LQ represents) and functioning as an operator of LWV in spatial and temporal coordinate system (quantum+operator = quantor) are the vital prameters of LQ as a linguocognitive unit. These basic characteristics of LQ cannot be ignored while dealing with its ontology. The very ontology of LQ implies establishing some taxonomical criteria.The taxonomical criteria help to structure language knowledge and present it in the form of some system. The system is of paramount importance because it lies in space as an explication of local presentation of various notions 1 . Nowadays localism underlies cognitive linguistics implying spatial representation of knowledge. In this paper we propose two criteria to be considered, namely: the language knowledge evolution criterion, and 2) the language space criterion. The choice is much stipulated by the aforementioned factors that LQ is viewed as a linguocognitive unit transferring a certain quantum of knowledge about the language reality, on the one hand, and its active part in quantifying (dividing) the language reality by verbal means as an operator of the LWV, on the other.
认知科学发展的现代阶段标志着语言学家对语言手段方面的语言知识表示问题的兴趣,其中语言被视为一种符号系统。人类认知是认知语言学的主题,后者被视为感知、呈现和产生信息的系统之间的相互作用。这一事实要求引入一个新的术语,以达到认知术语标准化的目的。在本研究中,我们引入了一个词汇量词(LQ)。语素在交际领域被视为一种指示性的、有意义的信息符号单位,在其认知功能的过程中传递一定数量的关于周围世界的相关信息/知识,同时也是语言世界观的操作员。因此,信息因子(LQ所代表的信息量子)和作为LWV在时空坐标系中的算子(量子+算子=量子)是LQ作为语言认知单位的重要参数。在处理LQ本体时,不能忽视LQ的这些基本特征。LQ的本体意味着建立一些分类标准。分类标准有助于构建语言知识,并将其以某种系统的形式呈现。这个系统是至关重要的,因为它位于空间中,作为各种概念的局部呈现的解释。如今,地方主义是认知语言学的基础,它意味着知识的空间表征。本文提出了两个需要考虑的标准,即语言知识演变标准和语言空间标准。这种选择在很大程度上是由上述因素决定的:一方面,语素被视为一种语言认知单位,传递关于语言现实的一定数量的知识;另一方面,语素作为语素的操作符,积极地通过言语手段对语言现实进行量化(划分)。
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引用次数: 0
PICTORIAL AND VERBAL TEXTS: COEXISTENCE, TRANSFORMATION, COOPERATION 图文文字:共存、转化、合作
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/125-141
Yuri Lotman
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引用次数: 0
ACCENT VARIANCE OF STRUKTURAL CLASS IX VERBS IN SOUTHWESTERN SUPRADIALECT OF UKRAINIAN LANGUAGE 乌克兰语西南上方言结构类动词的口音变异
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/89-108
Κ. Μ. Ivanochko
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引用次数: 0
NOVEL IMAGES IN THE IMAGERY SPACE OF AMERCAN POETIC DISCOURSE: A COGNITIVE PERSPECTIVE 美国诗歌话语意象空间中的新意象:一个认知视角
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/54-71
L. Bieliekhova
INTRODUCTION The change of paradigms in the study of a text as a verbal object – from language-centered through text-centered to knowledge-centered – has brought to the forefront the assumption that text formation as well as the function of textual elements are regulated by certain cognitive mechanisms. This research focuses on revealing the nature of verbal poetic image from a cognitive perspective and aims at building an original typology of images in American poetry. It highlights cognitive mechanisms that lead to the emergence of novel poetic images which cause a possible breakthrough in the conceptualization of the world. In the framework of cognitive linguistics a poetic image is viewed as a textual construal and a cognitive structure which has two planes – conceptual and verbal. The conceptual plane of the image is understood as a unity of the eidetic (holistic) and the logical (discrete). The idea of discreteness has been laid at the basis of conceptual analysis of verbal poetic images within the framework of idealized cognitive models or image-schemas 1 . Conceptual analysis of rich empirical data obtained from contemporary American poetry suggested figuring out two groups of verbal poetic images: the old (archetypes and stereotypes) and new ones (idiotypes and kainotypes). In this article I share the view 2 that the frequent use of a particular kind of verbal poetic image depends on the prevalence of a certain type of artistic conscience (mythological, traditional, rational or irrational, and modern individually-creative) as well as of the kind of poetic thinking (analogical, associative, paradoxical, parabolic, and essayistic) governing in the definite cultural period. A poetic image is a verbal embodiment of the configuration of various conceptual schemas (metaphoric, metonymic and oxymoronic). Similar to
作为言语客体的语篇研究范式的变化——从语言中心到语篇中心再到知识中心——使人们认识到语篇的形成和语篇要素的功能是由一定的认知机制调节的。本研究着重从认知的角度揭示言语诗歌意象的本质,旨在构建美国诗歌意象的原创性类型学。它强调了导致新的诗歌意象出现的认知机制,从而可能突破对世界的概念化。在认知语言学的框架中,诗歌意象被视为一种文本解释和认知结构,它具有概念和语言两个层面。意象的概念平面被理解为表象(整体)和逻辑(离散)的统一。在理想化认知模型或意象图式的框架下,对言语诗歌意象进行了概念分析,从而提出了离散性的概念。从当代美国诗歌中获得的丰富的经验数据进行概念分析,提出了两组语言诗歌形象:旧的(原型和刻板印象)和新的(独特类型和刻板印象)。在本文中,我同意这样的观点2,即某种语言诗歌意象的频繁使用取决于某种类型的艺术良知(神话的,传统的,理性的或非理性的,以及现代的个人创造性)的流行程度,以及在特定文化时期占主导地位的诗歌思维类型(类比的,联想的,矛盾的,抛物线的和散文式的)。诗歌意象是各种概念图式(隐喻、转喻和矛盾修辞)配置的语言体现。类似于
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引用次数: 0
VERBAL EMBODIMENT OF THE ENGLISH CONCEPT GENIUS 语言体现了英语的天才概念
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/283-298
L. Strochenko
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引用次数: 0
PARAMETRIZATION OF TYPICAL WORD-FORMATION PARADIGMS OF THE ADJECTIVAL VERBS IN THE UKRAINIAN LANGUAGE DENOTING PROCESS AND ACTION 乌克兰语中表示过程和动作的形容词动词典型构词范式的参数化
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/178-200
O. Kushlyk
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引用次数: 0
THEORETICAL ASSUMPTIONS OF INVESTIGATION SEMIOTIC CODES IN LITERARY TEXT AND FILM ADAPTATIONS 文学文本和电影改编中符号学密码研究的理论假设
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/267-282
M. SmagliyV., J. Locke, A. Helman, Charles W. Morris, Wojciech Duda-Dudkiewicz
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引用次数: 0
OIKONYMY OF UKRAINE: A RETROSPECTIVE OF ONOMASTIC RESEARCHES 乌克兰Oikonymy:名词学研究回顾
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/160-177
V. Kotovych
INTRODUCTION Oikonymy has occupied an important place in the system of human values. It belongs to the cultural heritage of the people and is the very universal historical and social fact that gives the right to interpret it as a peculiar phenomenon of culture. The contemporary Ukrainian multicultural space cannot be analysed or interpreted without this important link in the traditional culture 1 . Considering the formation and development of Ukrainian oikonymy, researchers focus their attention on the fact that part of oikonyms were formed from appellatives and geographical terms, many were preceded by microtoponyms, some settlements were named after hydronyms or other oikonyms, while others would not have occurred without anthroponyms and their direct or indirect participation in their forming; former cities lost their urban status and became villages or vice versa. However, no matter how the process of establishing the name of the settlement was made, they have the same linguistic and cultural load, because they are formed according to certain linguistic laws and explicate information of the relevant code of culture. It has already become the standard of understanding that oikonyms as one of toponyms type contain triune information: geographical, historical and linguistic: “A toponym does not exist without the named object, and the objects of the environment are studied by geography. The need for toponyms, their contents, changes is dictated by history, but only through language. A name is a word, a fact of language, not geography or history itself. But the fact is specific, and linguistic knowledge without special toponymic one is not enough to study it” 2 . This thought, said by Volodymyr Nikonov over fifty years ago, convinces us that in the nineteenth century started, and in the twentieth century on the basis of geography, history, ethnography and linguistics was built a “universe of scientific research” – onomastics. In the twenty first century they spoke of onomocentrism, in which onomastic researches are carried out in close
社会主义在人类价值体系中占有重要地位。它属于人民的文化遗产,是非常普遍的历史和社会事实,因此有权将其解释为一种特殊的文化现象。如果没有传统文化中的这一重要环节,就无法分析或解释当代乌克兰多元文化空间。在乌克兰地名的形成和发展过程中,研究人员关注的是,部分地名是由称谓和地理术语形成的,许多地名之前有微地名,一些聚落是由水合词或其他地名命名的,而另一些聚落则是由拟人词及其直接或间接参与形成的;以前的城市失去了城市的地位,变成了村庄,反之亦然。然而,无论聚落名称的确立过程是如何进行的,它们都具有相同的语言和文化负荷,因为它们都是根据一定的语言规律形成的,并阐明了相关文化规范的信息。作为地名类型之一的谐音词包含地理、历史和语言三位一体的信息,这已经成为人们认识的标准:“地名没有命名对象就不存在,环境对象是地理学研究的对象。”对地名及其内容的需求是由历史决定的,但只能通过语言来决定。名字是一个词,一个语言的事实,而不是地理或历史本身。但事实是具体的,没有专门的地名的语言学知识是不足以研究它的。五十多年前,Volodymyr Nikonov说过,这一思想使我们相信,在19世纪和20世纪,在地理、历史、民族志和语言学的基础上,建立了一个“科学研究的宇宙”——专门学。在21世纪,他们谈到了象形中心主义,其中象形研究是在近距离进行的
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引用次数: 0
SEMIOTICS AND HERMENEUTICS: DESIGNING A SEMIOTIC-BASED APPROACH TO THEORIES OF INTERPRETATION 符号学与解释学:设计一种基于符号学的解释理论方法
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/1-17
N. Andreichuk
INTRODUCTION The critics of semiotics claim that this science has no unified subject matter and can be considered just an interesting hermeneutic practice and not entitled to conceive of itself as a scientific discipline. This article advocates the opinion that semiotics does have a unified subject as well as the status of a scientific discipline: it studies semiosis, that is the action of signs or the process in which something functions as a sign and a potentially endless series of interpretants is generated. Signs being a part of a developing process of information and understanding attached to particular objects 1 , semiosis is actually the action an interpreter must perform in understanding the signs. Interpretation as a problem or even as an explicit issue has tended to become a central concern in both: semiotics and hermeneutics since the earliest treatises on interpretation came forth. Generally acknowledged definition of hermeneutics as “the science of interpretation” 2 reflects the leitmotif of this science which deals with the processes of human understanding and interpretation of texts. Thus the notion of interpretation has always been across the two theories: theory of signs and theory of interpretation. As language is “the fundamental mode of operation of our being-in-the-world and the all-embracing form of the constitution of the world” 3 the article substantiates the inseparable unity of lingual semiotic and hermeneutic studies in the context of the interpretation process. For hermeneutics language is not simply, as modernism believed, a mere means of communication but rather, between word and object there exists an “intimate unity”: “The interpreter does not use words and concepts like a craftsman who picks up his tools and then puts them away.
符号学的批评者声称,这门科学没有统一的主题,只能被认为是一种有趣的解释学实践,没有资格将自己视为一门科学学科。本文主张符号学确实有一个统一的主体,也有一门科学学科的地位:它研究符号学,即符号的作用,或某物作为符号的作用以及产生一系列可能无穷无尽的解释器的过程。符号是依附于特定对象的信息和理解发展过程的一部分,符号学实际上是解释者在理解符号时必须执行的动作。解释作为一个问题,甚至作为一个明确的问题,在符号学和解释学中都成为一个中心问题,因为最早的解释论文出现了。一般公认的解释学的定义是“解释的科学”2,这反映了这门科学的主题,它处理人类对文本的理解和解释过程。因此,解释的概念一直跨越两种理论:符号理论和解释理论。由于语言是“我们存在于世界的基本运作方式,是世界构成的包罗万象的形式”3,本文在解释过程的语境中论证了语言符号学研究和解释学研究不可分割的统一性。对于解释学来说,语言并不像现代主义所相信的那样,仅仅是一种交流的手段,而是在词和对象之间存在着一种“亲密的统一”:“解释者使用词和概念并不像工匠拿起工具然后把它们收起来那样。”
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引用次数: 0
NARRATIVE MODELLING OF AMERICAN AND AUSTRALIAN FAIRY NARRATIVES FOR CHILDREN IN A CULTURAL PERSPECTIVE 文化视角下美国和澳大利亚儿童童话叙事的叙事造型
Pub Date : 1900-01-01 DOI: 10.36059/978-966-397-131-5/299-316
A. Tsapiv
INTRODUCTION Narration as a widespread speech activity can be observed in many spheres of life: in everyday conversation when one speaks about some experience as a sequence of events story, one can hear narratives on TV when a reporter tells us something based on cause-and-effect relationships. Narratives are the stories that we read to our children for the bedtime. Human brain is constructed in such a way that it captures complex reality, experience, life episodes in the form of narratives 1 . So, what is narrative? Narrative is a story about some events(s), presented as a sequence of events story, united by cause-and-effect relationships 2 . Narratologists try to create basic narrative explanatory models in order to understand the nature of storytelling 3 . How are the stories created? If there exists a set of typically structured stories with a number of participants and settings, there should be some abstract patterns in their background. The first scholar, who suggested to the philological world explanatory patterns, underlying Russian folktales, was Vladimir Propp. In his Morphology of the Folktale 4 the author explains a typical structure of a folktale (here fairy folktales are meant), which follows the chronological order of the linear sequence of elements in the text as reported from an informant (i.e. it means the syntagmatic structure). Another pattern of a paradigmatic nature was suggested by Propp’s opponent Claude LeviStrauss 5 . He proposes that all possible pattern elements are taken out and regrouped in one of the analytic schema. Propp’s functions refer to the building blocks of the tale’s plot and correlate with typical characters of folktales. Propp understands functions as character’s actions, defined from
叙述作为一种广泛存在的言语活动,可以在生活的许多领域中观察到:在日常对话中,当一个人把一些经历作为一系列事件的故事来讲述时,我们可以在电视上听到记者讲述一些基于因果关系的故事。叙事就是我们在睡前给孩子读的故事。人类大脑的构造是这样的,它以叙事的形式捕捉复杂的现实、经历和生活片段。那么,什么是叙事?叙事是关于一些事件的故事,以一系列事件的故事形式呈现,由因果关系联系起来。叙事学家试图创造基本的叙事解释模型,以便理解讲故事的本质。故事是如何被创造出来的?如果存在一组具有许多参与者和设置的典型结构化故事,则应该在其背景中存在一些抽象模式。第一个向文献学界提出俄国民间故事背后的解释模式的学者是弗拉基米尔·普罗普。在《民间故事的形态》一书中,作者解释了民间故事的典型结构(这里指的是童话故事),这种结构遵循消息提供者所报告的文本中元素的线性顺序的时间顺序(即,它指的是组合结构)。另一种范式的本质是由普罗普的对手克洛德·列维斯特劳斯提出的。他建议将所有可能的模式元素取出并重新组合到一个分析模式中。道具的功能是故事情节的组成部分,与民间故事的典型人物相关联。Propp将功能理解为角色的行为,定义为
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TRADITIONS AND INNOVATIONS IN TEACHING PHILOLOGICAL DISCIPLINES
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